WOMEN’S PORTRAIT IN MYTH AND HISTORY ACCORDING TO SHAHNAMEH AND BEYHAGHI’S HISTORY

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KHADIVAR H.; ENSAFI SOROOR R.

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Paper Information

Journal: DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE) Year:2010 | Volume:- | Issue:4 Page(s): 7-37

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Information Journal Paper

Title

WOMEN’S PORTRAIT IN MYTH AND HISTORY ACCORDING TO SHAHNAMEH AND BEYHAGHI’S HISTORY

Author(s)

KHADIVAR H. | ENSAFI SOROOR R. | Issue Writer Certificate

Keywords

FERDOWSI’S SHAHNAMEHQ2

BEYHAGHI’S HISTORYQ2

SHAHNAMEH’S WOMEN CLASSESQ3

BEYHAGHI’S HISTORY WOMEN CLASSESQ3

FERDOWSIQ3

BEYHAGHIQ3

Abstract

This article entitled “Women’s Portrait in Myth and History According to Shahnameh and BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY has investigated Women’s classes in Shahnameh and BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY. To achier this goal, women in Shahnameh have been placed in six classes: amorous and devoted; warlike, and brave; intrigent and devilish; wise women; king queens, and women in the shadows. Women in BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY have been placed infive general classes: politician, courtier and noble women; pious, virtuous, housekeeper and dream interpreting women; brave and wise women; intrigent and devilish women and finally the narrator women. The investigations showed that four of the classes of women in BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY and women in Shahnameh are identical and two classes, that is, pious, virtuous, housewife and dream interpreting women and narrator women are never seen in Shahnameh. Of course, the four classes of women in BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY include the women in the shadow who incorporate the court women too. Women’s role in deposing and appointing others as well as their presence as powerful forces in Shahnameh is more than that in BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY. Also their negative role both quantitatively and qualitatively is more represented in Shahnameh than in BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY.The only politician woman in BEYHAGHI’S HISTORY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> BEYHAGHI’S HISTORY who is comparable with the queen and important women in Shahnameh is Horreye Khottali and just Abolhasan Araghi’s wives are comparable with the devilish woman in Shahnameh (Soodabe, Maleke, Shirin and Gordieh).

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APA: Copy

KHADIVAR, H., & ENSAFI SOROOR, R.. (2010). WOMEN’S PORTRAIT IN MYTH AND HISTORY ACCORDING TO SHAHNAMEH AND BEYHAGHI’S HISTORY. DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE), -(4), 7-37. SID. https://sid.ir/paper/232615/en

Vancouver: Copy

KHADIVAR H., ENSAFI SOROOR R.. WOMEN’S PORTRAIT IN MYTH AND HISTORY ACCORDING TO SHAHNAMEH AND BEYHAGHI’S HISTORY. DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE)[Internet]. 2010;-(4):7-37. Available from: https://sid.ir/paper/232615/en

IEEE: Copy

H. KHADIVAR, and R. ENSAFI SOROOR, “WOMEN’S PORTRAIT IN MYTH AND HISTORY ACCORDING TO SHAHNAMEH AND BEYHAGHI’S HISTORY,” DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE), vol. -, no. 4, pp. 7–37, 2010, [Online]. Available: https://sid.ir/paper/232615/en

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