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Information Journal Paper

Title

Ability to form and record collective memory in the process of clearing wall paintings

Pages

  101-125

Abstract

collective memory consists of four stages of formation, registration, association and transfer. The role of wall paintings as a sign of the identity of many monuments is more important in the first two phases. The purpose of this study was to investigate the two stages of formation and recording of collective memory in the Karim Khan citadel in Shiraz. The main question of the research is that the mutual effects of clearing of historical wall paintings and the ability to formulate and record collective memory? The research method is (quantitative-qualitative) and data collection is done in two stages of library studies and field studies. Data were analyzed by Manova multivariate analysis. The results of data analysis show that attention to different dimensions of cleaning in the form of attention to the harmony and integrity of the paintings, historical values, extensions and peeling, the age and originality of the paintings, the values Aesthetics, Historical Symbols and Symbols, Patagonia, Different Historical Periods of wall paintings, Strong Strengths Over the Past, and the Level of Preservation of the Identity and the Truth of the wall paintings, and the Creation of an Appropriate Course for Continuing to Visit wall paintings And the imaging of wall paintings strengthens the ability to formulate and record collective memory over a wall paintings.

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    APA: Copy

    ABBASI, ZAHRA, Samanian, Kouros, & Zahed Zahedani, Seyed Saeed. (2019). Ability to form and record collective memory in the process of clearing wall paintings. JAME PAZHUHIY FARHANGI, 9(4 ), 101-125. SID. https://sid.ir/paper/241179/en

    Vancouver: Copy

    ABBASI ZAHRA, Samanian Kouros, Zahed Zahedani Seyed Saeed. Ability to form and record collective memory in the process of clearing wall paintings. JAME PAZHUHIY FARHANGI[Internet]. 2019;9(4 ):101-125. Available from: https://sid.ir/paper/241179/en

    IEEE: Copy

    ZAHRA ABBASI, Kouros Samanian, and Seyed Saeed Zahed Zahedani, “Ability to form and record collective memory in the process of clearing wall paintings,” JAME PAZHUHIY FARHANGI, vol. 9, no. 4 , pp. 101–125, 2019, [Online]. Available: https://sid.ir/paper/241179/en

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