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Information Journal Paper

Title

Challenges to Religious Movies in Iranian Cinnema: A Case study of the Movie, rastakhiz,

Pages

  127-156

Abstract

 Religious cinema after the Islamic revolution in Iran, despite claims by the country's cultural system and in support of these cinematic species, always with serious challenges. Doom, the movie is one of several religious film in Iran is that there's been a dispute with the riverbank and its perimeter was banned and continues to be, an unknown fate. The research plans, with using the theory of communicative action and qualitative content analysis method of habrmas, the challenges facing the religious film bamtalah item analysis and evaluation about the resurrection movie. For this purpose, the three groups involved in the fate of this effective film, namely the cultural authorities of the artistic/uzma; and the creators of the film have been identified and classified. In the process of analysis, statements of each group coding, categories and categories of themes after discovery and in the end, the findings of the research based on the theory of communicative action habrmas, collects and Collectors.

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  • Cite

    APA: Copy

    sarvestan, mosayeb, Karimi Alavi, Mahmoud, & OJAGH, SEYEDEH ZAHRA. (2019). Challenges to Religious Movies in Iranian Cinnema: A Case study of the Movie, rastakhiz,. (RASANE VA FARHANG), 9(1 (17) ), 127-156. SID. https://sid.ir/paper/372952/en

    Vancouver: Copy

    sarvestan mosayeb, Karimi Alavi Mahmoud, OJAGH SEYEDEH ZAHRA. Challenges to Religious Movies in Iranian Cinnema: A Case study of the Movie, rastakhiz,. (RASANE VA FARHANG)[Internet]. 2019;9(1 (17) ):127-156. Available from: https://sid.ir/paper/372952/en

    IEEE: Copy

    mosayeb sarvestan, Mahmoud Karimi Alavi, and SEYEDEH ZAHRA OJAGH, “Challenges to Religious Movies in Iranian Cinnema: A Case study of the Movie, rastakhiz,,” (RASANE VA FARHANG), vol. 9, no. 1 (17) , pp. 127–156, 2019, [Online]. Available: https://sid.ir/paper/372952/en

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