Survey of the evolution of royal monuments inscription from the late Ilkhani to early Safavid period in the paintings of three prominent manuscripts of Ferdowsi's Shahnameh

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Salehikia Maryam; SHATERI MITRA

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Paper Information

Journal: PAZHOHESH-HA-YE BASTANSHENASI IRAN Year:2020 | Volume:10 | Issue:26 Page(s): 141-162

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Information Journal Paper

Title

Survey of the evolution of royal monuments inscription from the late Ilkhani to early Safavid period in the paintings of three prominent manuscripts of Ferdowsi's Shahnameh

Author(s)

Salehikia Maryam | SHATERI MITRA | Issue Writer Certificate

Keywords

PaintingQ2

InscriptionQ1

Great Mongol ShahnamehQ1

Baysonghri ShahnamehQ1

Shahnameh of Shah TahmaspQ1

Abstract

Since the creation of Ferdowsi's Shahnameh, this work has attracted the attention of kings and Authorities and in different periods, by their command, the valuable manuscripts of that, have been made by the most prominent artists of every period. In the history of Iranian Painting, three manuscripts of the Shahnameh have special significance: the Great Mongol Shahnameh related to the late Ilkhani era, Baysonghor Shahnameh belonging to the Timurid period and Shahnameh of Shah Tahmasp related to the early Safavid period. A number of pictures of all three manuscripts have images of royal buildings, that the painters have made great efforts and precision in accurately drawing structure of their buildings and decorations, especially tiles. The buildings have Inscriptions that each reminds the Inscriptions of their periods. The present research tries to answer these questions: What are the features of the Inscriptions depicted in each of the three manuscripts, in terms of the type and color of the line, location, color and Background decorations? What changes have occurred in the course of a period to the next? Regarding the importance of images in archaeological research, the main purpose of the present research is survey of the evolution and comparison of the Inscription of royal monuments from the late Ilkhani to early Safavids based on the images of three manuscripts of Ferdowsi's Shahnameh. The Information is collected in the library and field method and the research method is descriptive-comparative and analytical. The findings of the research show that the building's Inscription During the late Ilkhani to the early Safavid period is more sophisticated and more diverse in terms of script, colors and decorative motifs. Considering that there are no significant examples of the ceremonial and royal monuments of the late Ilkhani to the early Safavid period, investigating the images of these three manuscripts can provide researchers with useful information about the design, color and location of the Inscriptions.

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APA: Copy

Salehikia, Maryam, & SHATERI, MITRA. (2020). Survey of the evolution of royal monuments inscription from the late Ilkhani to early Safavid period in the paintings of three prominent manuscripts of Ferdowsi's Shahnameh. PAZHOHESH-HA-YE BASTANSHENASI IRAN, 10(26 ), 141-162. SID. https://sid.ir/paper/385364/en

Vancouver: Copy

Salehikia Maryam, SHATERI MITRA. Survey of the evolution of royal monuments inscription from the late Ilkhani to early Safavid period in the paintings of three prominent manuscripts of Ferdowsi's Shahnameh. PAZHOHESH-HA-YE BASTANSHENASI IRAN[Internet]. 2020;10(26 ):141-162. Available from: https://sid.ir/paper/385364/en

IEEE: Copy

Maryam Salehikia, and MITRA SHATERI, “Survey of the evolution of royal monuments inscription from the late Ilkhani to early Safavid period in the paintings of three prominent manuscripts of Ferdowsi's Shahnameh,” PAZHOHESH-HA-YE BASTANSHENASI IRAN, vol. 10, no. 26 , pp. 141–162, 2020, [Online]. Available: https://sid.ir/paper/385364/en

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