Introducing, examining the content, thought and style of his poetry

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Rousta O.; POSHTDAR A.M.; Mirzaei A.P.; HAJI MAZDARANI M.

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Paper Information

Journal: JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB) Year:2021 | Volume:14 | Issue:3 (61) Page(s): 63-82

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Information Journal Paper

Title

Introducing, examining the content, thought and style of his poetry

Author(s)

Rousta O. | POSHTDAR A.M. | Mirzaei A.P. | HAJI MAZDARANI M. | Issue Writer Certificate

Keywords

Dehlavi's KhamooshiQ1

the style of poetryQ1

the content of poetryQ1

expression and noveltyQ1

Abstract

BACKGROUND AND OBJECTIVES: Manuscripts are valuable resources recognizing and for examining the evolution of thought and feeling in Persian literature. Manuscripts of many poets, such as Dehlavi's silence, have not yet been corrected and published. The purpose of this research is to study and critique the intellectual, linguistic and rhetorical level of the poems and lyric poems of this poet. METHODOLOGY: This research examines the content of Dehlavi Khamooshi Divan and her thought and poetry style by analyzing the content with the help of library tools. FINDINGS: The time of the poet's life is mentioned on the back cover of the King's library version, "Qajariyya, zero 1193 lunar". No information can be obtained from studying the two versions of this poet's divan. In the culture of orators, only one manuscript of the poet is mentioned and several silences are mentioned, and the poet of the present court is apparently Ali Hassan Khamoushi or Khamoosh Dehlavi, the poet of the 11th century, on the occasion of his poems about India. The results show that Dehlavi's silent poem has Indian style themes and attention to the poems of Saadi, Khaghani, Attar, Hafez, Rumi and Orfi Shirazi is another feature of it. This poet's style of poetry is similar to the Iraqi and Indian style, and his poems are in praise of the Prophet and more than that in praise of the Amir (AS). His lyric poems are also mystical and romantic. CONCLUSION: The verbal and spiritual forms of her poetry have used the two dimensions of literary tradition, innovation and innovation; Sometimes there are weaknesses in her poems that are very weak against her poetic values. The weights of her poems are the most widely used weights of Persian poetry, and the rows and rhymes of her poems are simple, and most of the rows of her poems are current. Silence poems have more artistic value and variety of rhetoric and stylistics than her sonnets.

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APA: Copy

Rousta, O., POSHTDAR, A.M., Mirzaei, A.P., & HAJI MAZDARANI, M.. (2021). Introducing, examining the content, thought and style of his poetry. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 14(3 (61) ), 63-82. SID. https://sid.ir/paper/396611/en

Vancouver: Copy

Rousta O., POSHTDAR A.M., Mirzaei A.P., HAJI MAZDARANI M.. Introducing, examining the content, thought and style of his poetry. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2021;14(3 (61) ):63-82. Available from: https://sid.ir/paper/396611/en

IEEE: Copy

O. Rousta, A.M. POSHTDAR, A.P. Mirzaei, and M. HAJI MAZDARANI, “Introducing, examining the content, thought and style of his poetry,” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 14, no. 3 (61) , pp. 63–82, 2021, [Online]. Available: https://sid.ir/paper/396611/en

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