METHODS OF CINEMATIC NARRATIVE IN TODAY’S GHAZAL

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MOHAMMADI FESHARAKI MOHSEN; SAFAEE PANTEA

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Journal: LITERARY ARTS Year:2014 | Volume:6 | Issue:1 (10) Page(s): 25-28

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Information Journal Paper

Title

METHODS OF CINEMATIC NARRATIVE IN TODAY’S GHAZAL

Author(s)

MOHAMMADI FESHARAKI MOHSEN | SAFAEE PANTEA | Issue Writer Certificate

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Abstract

With Highlighted presence of video media in society, its impact on other branches of art and poetry is seen more than before. At the beginning of being familiar with movie in Iran’s traditional society, the subject was somehow a taboo and there was no trace of its influence on literature. Due to their poets’ worldview, Nimaian poetry and subsequently blank verse reconciled with cinema earlier than classical poetry, but after Iran revolution and deep transformations resulting from war, Ghazal considered cinema and methods of narrative in cinema with a new look. This process is clearly evident in the lyric poets of the post- revolution.

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APA: Copy

MOHAMMADI FESHARAKI, MOHSEN, & SAFAEE, PANTEA. (2014). METHODS OF CINEMATIC NARRATIVE IN TODAY’S GHAZAL. LITERARY ARTS, 6(1 (10)), 25-28. SID. https://sid.ir/paper/404018/en

Vancouver: Copy

MOHAMMADI FESHARAKI MOHSEN, SAFAEE PANTEA. METHODS OF CINEMATIC NARRATIVE IN TODAY’S GHAZAL. LITERARY ARTS[Internet]. 2014;6(1 (10)):25-28. Available from: https://sid.ir/paper/404018/en

IEEE: Copy

MOHSEN MOHAMMADI FESHARAKI, and PANTEA SAFAEE, “METHODS OF CINEMATIC NARRATIVE IN TODAY’S GHAZAL,” LITERARY ARTS, vol. 6, no. 1 (10), pp. 25–28, 2014, [Online]. Available: https://sid.ir/paper/404018/en

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