Mythological Motifs in Iranian Contemporary Stories: (Derakht-e Anjir-e Maā bed, Bā ghe Anā ri, Jā ee Digar, Kā jhā ye Mowarrab)

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Mahmoodiwand Bakhtyari Roqayyeh; ADELZADEH PARVANEH; PASHAYI FAKHRI KAMRAN

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Journal: Mytho-Mystic Literature Year:2021 | Volume:17 | Issue:64 Page(s): 201-232

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Title

Mythological Motifs in Iranian Contemporary Stories: (Derakht-e Anjir-e Maā bed, Bā ghe Anā ri, Jā ee Digar, Kā jhā ye Mowarrab)

Author(s)

Mahmoodiwand Bakhtyari Roqayyeh | ADELZADEH PARVANEH | PASHAYI FAKHRI KAMRAN | Issue Writer Certificate

Keywords

Plant MotifsQ1

Derakht-e Anjir-e MaāQ1

bedQ1

BāQ1

ghe AnāQ1

riQ1

JāQ1

ee DigarQ1

KāQ1

jhāQ1

ye MowarrabQ1

Abstract

From way back, the life and death of plants and trees have been the focus of human attention. Man has equated four seasons with his/her life cycle, and has made stories about the worship of plants and their healing power. He/she used to tie ribbons around trees and asked them to heal. Behind the views of primitive man lies the fact that he/she sought healing from the tree and that worshiping the tree was not his/her goal. Our ancestors, in search of youth and immortality, were absorrit;color:#ff0078">bed in phenomena that they thought were the eternal source of these forces. These trends can be seen in mythological contexts. In the present article, we examine the rit;color:#ff0078">Plant Motifs in four contemporary fiction books: rit;color:#ff0078">Derakht-e Anjir-e Maā; rit;color:#ff0078">bed (The Fig Tree of the Temples) by Ahmad Mahmoud, rit;color:#ff0078">Bā; rit;color:#ff0078">ghe Anā; ri (The Pomegranate Garden) by Mohammad Sharifi, Jā; ee Digar (An Another Place) by Goli Taraghi and Kā; jhā; ye Mowarrab (The Diagonal Pines) by Ali Changezi. Our research method is descriptive-analytical and after extracting the data, we analyze the motifs. The main question is whether these motifs are present symbolically or in the form of a mythological narrative? The results show that in these works, the plant themes are present symbolically and implicitly and are also seen in the form of mythological narratives. It is necessary to explore these stories from a mythological point of view in order to recognize the mythological elements and to distinguish vulgarity and superstition from the mythological facts.

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APA: Copy

Mahmoodiwand Bakhtyari, Roqayyeh, ADELZADEH, PARVANEH, & PASHAYI FAKHRI, KAMRAN. (2021). Mythological Motifs in Iranian Contemporary Stories: (Derakht-e Anjir-e Maā bed, Bā ghe Anā ri, Jā ee Digar, Kā jhā ye Mowarrab). MYTHO-MYSTIC LITERATURE JOURNAL (PERSIAN LANGUAGE AND LITERATURE JOURNAL), 17(64 ), 201-232. SID. https://sid.ir/paper/413941/en

Vancouver: Copy

Mahmoodiwand Bakhtyari Roqayyeh, ADELZADEH PARVANEH, PASHAYI FAKHRI KAMRAN. Mythological Motifs in Iranian Contemporary Stories: (Derakht-e Anjir-e Maā bed, Bā ghe Anā ri, Jā ee Digar, Kā jhā ye Mowarrab). MYTHO-MYSTIC LITERATURE JOURNAL (PERSIAN LANGUAGE AND LITERATURE JOURNAL)[Internet]. 2021;17(64 ):201-232. Available from: https://sid.ir/paper/413941/en

IEEE: Copy

Roqayyeh Mahmoodiwand Bakhtyari, PARVANEH ADELZADEH, and KAMRAN PASHAYI FAKHRI, “Mythological Motifs in Iranian Contemporary Stories: (Derakht-e Anjir-e Maā bed, Bā ghe Anā ri, Jā ee Digar, Kā jhā ye Mowarrab),” MYTHO-MYSTIC LITERATURE JOURNAL (PERSIAN LANGUAGE AND LITERATURE JOURNAL), vol. 17, no. 64 , pp. 201–232, 2021, [Online]. Available: https://sid.ir/paper/413941/en

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