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Information Journal Paper

Title

CRITICISM AND ANALYSIS OF “TRADITION AND IMAGE” IN THE POETRY OF KHAGHANI SHERWANI

Pages

  117-140

Abstract

 Although in the past rhetorical books and modern works, a little emphasis was made on the theme “abandoning religious tradition” with evidence and inconclusive evidences, an independent discussion about “sharia and image” in the works of poets especially Khaghani was not taken into account. “Image” and “sharia” and coordination of these two dictums and the manner of their application and procedure in the work of Khaghani are the main axes of the current paper. Showing the pace of “sharia” in “images” of the poems of Khaghani, the rate of attention and perspective of the poet towards religious personalities, almighty god, prophet Mohammad and, rest of prophets and imams, sacred household and women in the imagination of Khaghani, religious and impersonal elements, places of holy Quran and Hadith in the images of Khaghani and their analysis and applications are some of the important aspects and ambiguities that this paper tries to answer.

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  • Cite

    APA: Copy

    ZOLFEGHARI, MOHSEN, MOOSAVI, SEYEDEH ZAHRA, & ASGHARI BAYAGHUT, YUSEF. (2011). CRITICISM AND ANALYSIS OF “TRADITION AND IMAGE” IN THE POETRY OF KHAGHANI SHERWANI. LITERARY RESEARCH, 8(31-32), 117-140. SID. https://sid.ir/paper/54253/en

    Vancouver: Copy

    ZOLFEGHARI MOHSEN, MOOSAVI SEYEDEH ZAHRA, ASGHARI BAYAGHUT YUSEF. CRITICISM AND ANALYSIS OF “TRADITION AND IMAGE” IN THE POETRY OF KHAGHANI SHERWANI. LITERARY RESEARCH[Internet]. 2011;8(31-32):117-140. Available from: https://sid.ir/paper/54253/en

    IEEE: Copy

    MOHSEN ZOLFEGHARI, SEYEDEH ZAHRA MOOSAVI, and YUSEF ASGHARI BAYAGHUT, “CRITICISM AND ANALYSIS OF “TRADITION AND IMAGE” IN THE POETRY OF KHAGHANI SHERWANI,” LITERARY RESEARCH, vol. 8, no. 31-32, pp. 117–140, 2011, [Online]. Available: https://sid.ir/paper/54253/en

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