ROMANTIC IMAGE; THEORETICAL PRINCIPLES, NATURE AND APPLICATION

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FOTOUHI M.

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Journal: Literary Research Year:2006 | Volume:3 | Issue:9-10 Page(s): 151-180

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Information Journal Paper

Title

ROMANTIC IMAGE; THEORETICAL PRINCIPLES, NATURE AND APPLICATION

Author(s)

FOTOUHI M. | Issue Writer Certificate

Keywords

ROMANTICISMQ2

PERSIAN ROMANTICISMQ2

ROMANTIC IMAGEQ4

AESTHETIC OF ROMANTIC IMAGEQ4

CONTEXTQ4

METAPHORIC POLE OF LANGUAGEQ4

ORGANICFORMQ4

Abstract

This essay is concentrated on ROMANTIC IMAGE. ROMANTIC IMAGE essentially is deferent with classic, symbolic, Surrealistic and imagistic Image, in nature and aesthetic. The author sets forth essence of ROMANTIC IMAGE in three sections: The first section explains four special feature of ROMANTIC IMAGE 1) poet's transmutation in nature and things 2) images as shadow 3) running images and 4) individual aspect of image). The second section discusses the relation between images and their places in CONTEXT of poem with two features of connection and running. The third section explains three functions of ROMANTIC IMAGEs. The final part deals with the METAPHORIC POLE OF LANGUAGE in romantic writings. This essay is aimed at distinguishing classical and romantic imagination and set forth process of creature, value of aesthetics and origin of image insights in these kinds of writing.

Cites

THE STATUS AND REALM OF SIMILE IN ZEIB-O-NESSA MAKHFI HINDUSTANI’S POEMS

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APA: Copy

FOTOUHI, M.. (2006). ROMANTIC IMAGE; THEORETICAL PRINCIPLES, NATURE AND APPLICATION. LITERARY RESEARCH, 3(9-10), 151-180. SID. https://sid.ir/paper/54278/en

Vancouver: Copy

FOTOUHI M.. ROMANTIC IMAGE; THEORETICAL PRINCIPLES, NATURE AND APPLICATION. LITERARY RESEARCH[Internet]. 2006;3(9-10):151-180. Available from: https://sid.ir/paper/54278/en

IEEE: Copy

M. FOTOUHI, “ROMANTIC IMAGE; THEORETICAL PRINCIPLES, NATURE AND APPLICATION,” LITERARY RESEARCH, vol. 3, no. 9-10, pp. 151–180, 2006, [Online]. Available: https://sid.ir/paper/54278/en

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