PICTURE CAPACITY OF

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HAYATI Z.

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Journal: Literary Research Year:2006 | Volume:3 | Issue:11 Page(s): 55-80

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Information Journal Paper

Title

PICTURE CAPACITY OF "SHAH-E SIAH POOSHAN" TALE FROM CINEMA RELATED VIEWPOINTS

Author(s)

HAYATI Z. | Issue Writer Certificate

Keywords

NEZAMIQ2

HAFT PAYKARQ2

PICTUREQ2

CINEMAQ2

Abstract

Versified story of "Shah-e Siah Pooshan" written by NEZAMI Ganjavi has its own PICTUREs capacities which can be dealt with in CINEMA related viewpoints. CINEMA camera can record the PICTUREs from different viewpoints and the same can be said about the poets on his mind. For example, as CINEMA tradition uses symbolic or complete PICTURE to show the viewers characters and situations, NEZAMI extend the sphere to a more extensive one when he introduces in some scenes the characters to the viewer. In another example, CINEMA camera generally shows the person in a greater PICTURE to show his / her mental situation and the poet use a similar method to express the character situation in a critical situation or by a more extensive expression to make the readers concentrates on his / her situation. The poet's eyes and camera have a kind of similarity. As the camera moves horizontally and vertically, the poetry explanation of "Shah-e Siah Pooshan" also concentrates on a kind of explanation of a phenomenon on the earth to explain a Heavenly phenomenon and materializes the movement by the addressee's mind eye. Along with movement of the camera and the corners, there are some other features such as decoration and background in "Shah-e Siah Pooshan". For example, when NEZAMI takes the Shah to the land of the Wearning Black Men, he decorates the scene by black clothes, sorrowful people, the ruins and simple homes to express the desired meaning. It can be said that CINEMA skills are modem tools which help the literature researchers to explain the works of poems specially NEZAMI Ganjavi.

Cites

ANALYSIS OF SEVEN DOMES OF NEZAMI GANJAVI BASED ON THE ELEMENTS OF VISUAL ARTS

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APA: Copy

HAYATI, Z.. (2006). PICTURE CAPACITY OF "SHAH-E SIAH POOSHAN" TALE FROM CINEMA RELATED VIEWPOINTS. LITERARY RESEARCH, 3(11), 55-80. SID. https://sid.ir/paper/54292/en

Vancouver: Copy

HAYATI Z.. PICTURE CAPACITY OF "SHAH-E SIAH POOSHAN" TALE FROM CINEMA RELATED VIEWPOINTS. LITERARY RESEARCH[Internet]. 2006;3(11):55-80. Available from: https://sid.ir/paper/54292/en

IEEE: Copy

Z. HAYATI, “PICTURE CAPACITY OF "SHAH-E SIAH POOSHAN" TALE FROM CINEMA RELATED VIEWPOINTS,” LITERARY RESEARCH, vol. 3, no. 11, pp. 55–80, 2006, [Online]. Available: https://sid.ir/paper/54292/en

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