MEANING, LANGUAGE, IMAGE IN “THE END OF SHAHNAMEH” A POETRY BY MEHDI AKHAVAN SALIS (M. OMID)

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NOORI ALI; KANJOORI AHMAD

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Journal: Pazhuhish-i Zaban va Adabiyyat-i Farsi Year:2011 | Volume:- | Issue:22 Page(s): 113-145

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Information Journal Paper

Title

MEANING, LANGUAGE, IMAGE IN “THE END OF SHAHNAMEH” A POETRY BY MEHDI AKHAVAN SALIS (M. OMID)

Author(s)

NOORI ALI | KANJOORI AHMAD | Issue Writer Certificate

Keywords

MEHDI AKHAVAN SALETH (M. OMID)Q2

POETRYQ2

STRUCTUREQ2

MEANINGQ2

LANGUAGEQ2

IMAGEQ2

Abstract

“The End of Shahnameh”, is consisted of the poems written in 1335-1338 SH by Akhavan. It can be considered as the acme of the poet’s mature style. Here in this article we try to study the poem ‘The End of Shahnameh’, which is one of the best in the collection. Having introduced POETRY, its features and elements, in general, and some approaches to literary criticism, we will study and interpret the mentioned poem using a combination of approaches, and regarding the interactions of MEANING, LANGUAGE, and IMAGE, as the three major structural elements of POETRY.

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APA: Copy

NOORI, ALI, & KANJOORI, AHMAD. (2011). MEANING, LANGUAGE, IMAGE IN “THE END OF SHAHNAMEH” A POETRY BY MEHDI AKHAVAN SALIS (M. OMID). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, -(22), 113-145. SID. https://sid.ir/paper/56145/en

Vancouver: Copy

NOORI ALI, KANJOORI AHMAD. MEANING, LANGUAGE, IMAGE IN “THE END OF SHAHNAMEH” A POETRY BY MEHDI AKHAVAN SALIS (M. OMID). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI[Internet]. 2011;-(22):113-145. Available from: https://sid.ir/paper/56145/en

IEEE: Copy

ALI NOORI, and AHMAD KANJOORI, “MEANING, LANGUAGE, IMAGE IN “THE END OF SHAHNAMEH” A POETRY BY MEHDI AKHAVAN SALIS (M. OMID),” PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, vol. -, no. 22, pp. 113–145, 2011, [Online]. Available: https://sid.ir/paper/56145/en

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