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Cites:

1

Information Journal Paper

Title

THE SINGULAR SUBJECT AND THE PLURAL SUBJECT IN BEHIND THE VANITY- LAND OF SOHRAB SEPEHRI

Pages

  53-64

Abstract

 "BEHIND THE VANITY-LAND" of Sepehri is the story of the departure of a poets look who turns his back to the "Vanity-Land". This same shooting of the glance to remote places makes the poet a SINGULAR SUBJECT, prominent, and superior. Among the particularities of this singular subject, after reaching this worthy land, is that he summons others, that is the PLURAL SUBJECT left behind in the vanity-land, to the experience of the valuable living of "departing for BEHIND THE VANITY-LAND". Even this summoning may lead to the downfall of the "BEHIND THE VANITY-LAND" and the fall of the poet into the "Vanity-Land". Thus, the story of "BEHIND THE VANITY-LAND" is THE STORY OF BECOMING one-Itself once and becoming our-"selves" again.

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  • Cite

    APA: Copy

    SHAEIRI, H.R.. (2000). THE SINGULAR SUBJECT AND THE PLURAL SUBJECT IN BEHIND THE VANITY- LAND OF SOHRAB SEPEHRI. MODARRES HUMAN SCIENCES, 4(3(Tome 16)), 53-64. SID. https://sid.ir/paper/6866/en

    Vancouver: Copy

    SHAEIRI H.R.. THE SINGULAR SUBJECT AND THE PLURAL SUBJECT IN BEHIND THE VANITY- LAND OF SOHRAB SEPEHRI. MODARRES HUMAN SCIENCES[Internet]. 2000;4(3(Tome 16)):53-64. Available from: https://sid.ir/paper/6866/en

    IEEE: Copy

    H.R. SHAEIRI, “THE SINGULAR SUBJECT AND THE PLURAL SUBJECT IN BEHIND THE VANITY- LAND OF SOHRAB SEPEHRI,” MODARRES HUMAN SCIENCES, vol. 4, no. 3(Tome 16), pp. 53–64, 2000, [Online]. Available: https://sid.ir/paper/6866/en

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