PERSIAN CARPET AS A MEDIA OF COMMUNICATION BETWEEN IRANIAN AND EUROPEAN ARTISTS, A SEMIOTIC APPROACH TO WILLIAM MORRIS’ ARTISTS

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MOUSAVI HEJAZI B.; ANSARI MOJTABA; AYAT ELAHI HABIB ELAH; POURJAFAR M.R.

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Paper Information

Journal: INTERNATIONAL JOURNAL OF HUMANITIES (THE JOURNAL OF HUMANITIES) Year:2006 | Volume:13 | Issue:3 Page(s): 63-81

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Title

PERSIAN CARPET AS A MEDIA OF COMMUNICATION BETWEEN IRANIAN AND EUROPEAN ARTISTS, A SEMIOTIC APPROACH TO WILLIAM MORRIS’ ARTISTS

Author(s)

MOUSAVI HEJAZI B. | ANSARI MOJTABA | AYAT ELAHI HABIB ELAH | POURJAFAR M.R. | Issue Writer Certificate

Keywords

PERSIAN CARPETQ3

MEDIA OF COMMUNICATIONQ3

IRANIAN AND EUROPEAN ARTISTSQ3

SEMIOTIC APPROACHQ3

WILLIAM MORRISQ3

TAPESTRIESQ3

Abstract

PERSIAN CARPET weaving is one of Iran's most famous industries that has attracted the world's attention to Persian arts through the centuries. What above all, have given prominence to PERSIAN CARPET as a beautiful work of art is the pattern and its composition in a two-dimensional space. The diversity of patterns, use of deep and beautiful colors, good composition, harmony of colors, delicate and poetic composition are among the most outstanding features of PERSIAN CARPET. Industrial advancement and development of transportation in the 19th century led the western explorers to travel eastward making them acquainted with the cultural heritage of these civilizations. WILLIAM MORRIS, the leading thinker and artist of the British Arts and Crafts Movement is among the first to conduct a research on PERSIAN CARPET's patterns and designs. In this paper, we are proposing a SEMIOTIC APPROACH to the transaction between Persian artists who made beautiful and ever-lasting carpet designs and WILLIAM MORRIS as a pioneer of Pre-Modern Movements in Europe, who studied and recognized the underlying principles of Persian art (mostly carpet), and applied them in a creative way to his own remarkable hand-made designs.

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APA: Copy

MOUSAVI HEJAZI, B., ANSARI, MOJTABA, AYAT ELAHI, HABIB ELAH, & POURJAFAR, M.R.. (2006). PERSIAN CARPET AS A MEDIA OF COMMUNICATION BETWEEN IRANIAN AND EUROPEAN ARTISTS, A SEMIOTIC APPROACH TO WILLIAM MORRIS’ ARTISTS. INTERNATIONAL JOURNAL OF HUMANITIES (THE JOURNAL OF HUMANITIES), 13(3), 63-81. SID. https://sid.ir/paper/78244/en

Vancouver: Copy

MOUSAVI HEJAZI B., ANSARI MOJTABA, AYAT ELAHI HABIB ELAH, POURJAFAR M.R.. PERSIAN CARPET AS A MEDIA OF COMMUNICATION BETWEEN IRANIAN AND EUROPEAN ARTISTS, A SEMIOTIC APPROACH TO WILLIAM MORRIS’ ARTISTS. INTERNATIONAL JOURNAL OF HUMANITIES (THE JOURNAL OF HUMANITIES)[Internet]. 2006;13(3):63-81. Available from: https://sid.ir/paper/78244/en

IEEE: Copy

B. MOUSAVI HEJAZI, MOJTABA ANSARI, HABIB ELAH AYAT ELAHI, and M.R. POURJAFAR, “PERSIAN CARPET AS A MEDIA OF COMMUNICATION BETWEEN IRANIAN AND EUROPEAN ARTISTS, A SEMIOTIC APPROACH TO WILLIAM MORRIS’ ARTISTS,” INTERNATIONAL JOURNAL OF HUMANITIES (THE JOURNAL OF HUMANITIES), vol. 13, no. 3, pp. 63–81, 2006, [Online]. Available: https://sid.ir/paper/78244/en

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