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Information Journal Paper

Title

THE SOUND OF THE REED

Pages

  9-29

Keywords

Not Registered.

Abstract

 The purpose of this paper is mainly to discuss the nationality of Mowlana, ending with some remarks on the responsibilities of us Iranians about introducing Mowlana and other luminaries of the Iranian civilization. Mowlana's nationality could be discussed in terms of geography/ history and the message of his poetry. In the former case, there are facts which cannot be changed whether we like them or not. Mowlana consider himself as belonging to korasan, and the greater korasan used to be part of the greater Iran. From the pictures AflakI presents of the circle of Mowlana in Konia, one gets the impression that Mowlana had opened a branch of the cultural Korasan in Konia. But in terms of message, Mowlana is a voice that belongs more to any place that could be heard better, the voice of a man whose great Masnavi is the greatest spiritual epic man has produced, a gift granted by God to the Persian language to make the Persian culture immortal. To Mowlana, the question of nationality is so irrelevant, as is the question of belonging to this or the other world. He likens himself to the sun; if the walls separating houses and countries are removed, what remains is the light arising from the unified soul. As he states symbolically in the beginning of his great Masnavi, his country is the reed-bed, and it is his separation from the reed-bed that has given rise to all the tales and complaints.

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  • Cite

    APA: Copy

    JALALI, ALI. (2007). THE SOUND OF THE REED. NAME- YE FARHANGESTAN, 9(3 (35)), 9-29. SID. https://sid.ir/paper/88029/en

    Vancouver: Copy

    JALALI ALI. THE SOUND OF THE REED. NAME- YE FARHANGESTAN[Internet]. 2007;9(3 (35)):9-29. Available from: https://sid.ir/paper/88029/en

    IEEE: Copy

    ALI JALALI, “THE SOUND OF THE REED,” NAME- YE FARHANGESTAN, vol. 9, no. 3 (35), pp. 9–29, 2007, [Online]. Available: https://sid.ir/paper/88029/en

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