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Information Journal Paper

Title

Visual Representative of Verbal Creatiion as a Figure of Speech in Nasta'liq Calligraphy with an Emphasis on Artworks of Calligrapher Gholamhossein Amirkhani

Pages

  49-67

Abstract

 1. Introduction: Being melodic is one of the commonalities of many literary works, particularly in Persian poetry and Nasta'liq calligraphy. Apart from the structure of the Persian language and the Nasta'liq calligraphy form, which is elegant and delicate, poets and calligraphers use methods to make their works more melodic. In literature, these methods are the subject of “ verbal innovative” . The aim of this study, which is conducted in a descriptive-analytical manner and with a comparative approach, is to show the similarities of these methods in Persian literature and Nasta'liq calligraphy, despite their different explanatory methods. The question is how the visual equivalents of verbal Figures of Speech are manifested in the Nasta'liq calligraphy. To this purpose, the calligraphic works of Gholamhossein Amirkhani have been studied and analyzed from this perspective. The reason for choosing him is easy accessibility to his works and also his ability to present quality works in different formats. . . .

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    APA: Copy

    Bazi, Somayeh, & FARROKHFAR, FARZANEH. (2020). Visual Representative of Verbal Creatiion as a Figure of Speech in Nasta'liq Calligraphy with an Emphasis on Artworks of Calligrapher Gholamhossein Amirkhani. NEW LITERARY STUDIES, 53(2 (209) ), 49-67. SID. https://sid.ir/paper/960269/en

    Vancouver: Copy

    Bazi Somayeh, FARROKHFAR FARZANEH. Visual Representative of Verbal Creatiion as a Figure of Speech in Nasta'liq Calligraphy with an Emphasis on Artworks of Calligrapher Gholamhossein Amirkhani. NEW LITERARY STUDIES[Internet]. 2020;53(2 (209) ):49-67. Available from: https://sid.ir/paper/960269/en

    IEEE: Copy

    Somayeh Bazi, and FARZANEH FARROKHFAR, “Visual Representative of Verbal Creatiion as a Figure of Speech in Nasta'liq Calligraphy with an Emphasis on Artworks of Calligrapher Gholamhossein Amirkhani,” NEW LITERARY STUDIES, vol. 53, no. 2 (209) , pp. 49–67, 2020, [Online]. Available: https://sid.ir/paper/960269/en

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