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Information Journal Paper

Title

The Pathology of Manouchehr Atashi's Non-Historicity of Poetry

Pages

  123-150

Abstract

 The artistic relation that a poet's poetic heritage establishes with the history of his time is the constructor of constructions and forms that reveal the original shape of his literary face in comparison with other periods and other artistic systems. Atashi’ s poems, apart from the its success in the powerful intersection of the indigenous spaces of the south – follower of Nima of the north-have not escaped any setbacks that could have arisen from the absence of a historical view of existence and modern man. Focusing on three passages from the two books Another Song (دیگر آهنگ (and Song of the Soil ( خاک آواز, (we will pay more attention to how he appeared in Daggers, and) گلگ نس ار) Rose the Riding), خنجرها, ب سه ها و پیمان ها) Covenants and Kisses Reappearance (ر ظه. (Including the three domains of "history", "tragedy" and "majority literature", suffers from such a poverty in attitude that made the author take into account the literary theories of new critics and the classification of critical areas of poetry and explore their status and shortcomings.

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    • Cite

    APA: Copy

    Abshirini, Asad. (2021). The Pathology of Manouchehr Atashi's Non-Historicity of Poetry. NEW LITERARY STUDIES, 53(4 (211) ), 123-150. SID. https://sid.ir/paper/960275/en

    Vancouver: Copy

    Abshirini Asad. The Pathology of Manouchehr Atashi's Non-Historicity of Poetry. NEW LITERARY STUDIES[Internet]. 2021;53(4 (211) ):123-150. Available from: https://sid.ir/paper/960275/en

    IEEE: Copy

    Asad Abshirini, “The Pathology of Manouchehr Atashi's Non-Historicity of Poetry,” NEW LITERARY STUDIES, vol. 53, no. 4 (211) , pp. 123–150, 2021, [Online]. Available: https://sid.ir/paper/960275/en

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