Modernist Critique of the Story of the

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Sabahi Tashriq P.; SADEGHI SHAHPAR R.; JAMALI SH.

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Journal: JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB) Year:2021 | Volume:14 | Issue:8 (66) Page(s): 41-55

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Title

Modernist Critique of the Story of the" samte tarike kalemat" by Hossein Sanapour

Author(s)

Sabahi Tashriq P. | SADEGHI SHAHPAR R. | JAMALI SH. | Issue Writer Certificate

Keywords

Modernism

Hossein Snapour

Narration

Fluid flow of mind

samte tarik kalemat

Abstract

BACKGROUND AND OBJECTIVES: Modernism is one of the most important schools of contemporary fiction. The most important point of differentiation of Modernism from previous schools, especially realism and naturalism, is crawling in the inner world. Instead of narrating external events, the author of Modernism observes and displays the psychological developments of the main character of the story. Converts memories. In this article, the most important modernist techniques in the collection of stories "samte tarike kalemat" by Hossein Sanapour are examined and analyzed. METHODOLOGY: The research method in this article is descriptive-analytical and the data are collected as libraries and then analyzed using content analysis technique. FINDINGS: Modernism as a way of thinking and school, by changing the philosophy and content of literature, created a new perspective and worldview and introduced a new world to human beings. The relativism of reality, the originality of the individual, the change in moral principles, and the spread of absurdity were among the most prominent views of Modernism that found their way into literature. In addition, the change in narrative elements and different narrative styles was another change in modern literature. Modernism, in turn, influenced Iranian writers and created works in this field. The flow of modern fiction in Iran was formed in the late sixties. CONCLUSION: In the story series "samte tarike kalemat", the author is very interested in breaking the chronological order of the event and one-line Narration is rarely seen in it. They have taken advantage of the break in the story. Narrative breaks are sometimes made through quotations or chapters, and sometimes the result of the narrator's mental illness or mental flow is associated with his meanings. The rupture in the Narrations sometimes has a fast process using mental and delusional flow and sometimes its process is slow and calm based on the association of meanings. Ambiguity in this collection of stories is a delicate category; It has caused ambiguity in the stories.

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APA: Copy

Sabahi Tashriq, P., SADEGHI SHAHPAR, R., & JAMALI, SH.. (2021). Modernist Critique of the Story of the" samte tarike kalemat" by Hossein Sanapour. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 14(8 (66) ), 41-55. SID. https://sid.ir/paper/960522/en

Vancouver: Copy

Sabahi Tashriq P., SADEGHI SHAHPAR R., JAMALI SH.. Modernist Critique of the Story of the" samte tarike kalemat" by Hossein Sanapour. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2021;14(8 (66) ):41-55. Available from: https://sid.ir/paper/960522/en

IEEE: Copy

P. Sabahi Tashriq, R. SADEGHI SHAHPAR, and SH. JAMALI, “Modernist Critique of the Story of the" samte tarike kalemat" by Hossein Sanapour,” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 14, no. 8 (66) , pp. 41–55, 2021, [Online]. Available: https://sid.ir/paper/960522/en

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