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Information Journal Paper

Title

INGREDIENTS AND TECHNIQUES OF AN QAJARID OIL PAINTING

Pages

  152-174

Abstract

 Purpose: Traditional coffeehouse paintings are usually kept in public venues; therefore, they are exposed to all kinds of damage. To ensure appropriate REPAIR in case of damage, knowledge of the ingredients and techniques used in them is essential. This paper reports on the examination of a single such painting created by Abolghasem Isfahani, a Qajarid artist.Method and Research Design: Some samples were taken of different parts of the painting and were studied by Spectroscopies (FTIR, XRF, SEM–EDS, PLM).Findings and Conclusion: This painting contained of 4 layers: support, ground, color and varnish layer. Chalk is found in all spectrums. Most of the coffeehouse painters were self-trained; and so did not know the professional tricks for making a resistant ground for their paintings.

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  • Cite

    APA: Copy

    FIROUZNIA, AFSANEH, & SAMANIAN, KOROS. (2018). INGREDIENTS AND TECHNIQUES OF AN QAJARID OIL PAINTING. GANJINE-YE ASNAD, 28(1 (109) ), 152-174. SID. https://sid.ir/paper/99227/en

    Vancouver: Copy

    FIROUZNIA AFSANEH, SAMANIAN KOROS. INGREDIENTS AND TECHNIQUES OF AN QAJARID OIL PAINTING. GANJINE-YE ASNAD[Internet]. 2018;28(1 (109) ):152-174. Available from: https://sid.ir/paper/99227/en

    IEEE: Copy

    AFSANEH FIROUZNIA, and KOROS SAMANIAN, “INGREDIENTS AND TECHNIQUES OF AN QAJARID OIL PAINTING,” GANJINE-YE ASNAD, vol. 28, no. 1 (109) , pp. 152–174, 2018, [Online]. Available: https://sid.ir/paper/99227/en

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