COMPARATIVE LITERATURE RESEARCH
Year:2019 | Volume:7 | Issue:1 (19)|Papers Count:6

It is clear that theories of "imagery" and "intertextuality", which are based on analogy, are linked, respectively, to the concepts of "writer" and "writing. " Similarly, one can imagine a kind of comparison that this time recognizes as the "reader" dimension and, as a result, relates to the issue of "understanding". In fact, the basis of the discussion is the belief that, regardless of the type of literary work that belongs to it, it is a perception of a kind of "sensory reception" that is formed by the reader through a kind of "visual equation". In fact, understanding a text, irrespective of how much text it is capable of excite mental images to the reader, is inevitably linked to a type of referral to the outside world. In simple terms, it can be said that reading is a visual adaptation, so that at any moment it is a moment or a sequence of an artistic film. Given the fact that each reader, because of his psycho-socio-cultural data, creates his own version of the novel, we believe that it is possible to The title of a theory in the field of comparative literature studies of literature this time is to compare the text and the various mental representations created by different readers. Consequently, in this paper, we intend to show, through a study, which elements in this comparison, or, in other words, "

One of the very consequences of language contacts is the presence of loanwords in a language. A great number of linguistic researches have focused on loanword studies through sociolinguistic approaches. In case of literary texts, the frequent and conscious use of loanwords reflects the style and the implicated purposes of the author which must definitely be transferred in translation. The present study aims to investigate the role of loanwords in literary texts, and their representations in translations. To this end, 148 loanwords were extracted from the American novel, Funny in Farsi by Firoozeh Dumas, then their representations in the Persian translation were studied considering three variables: the donor language, the semantic fields of loanwords and the translation strategies. The results revealed that ‘ equivalence’ and ‘ definition’ were the priorities of the translator among the translation strategies, and this has led to lose some cultural aspects of the literary text in translation.

Classical romantic poems are one of the most important and most diverse types of poetry. Of course, a great deal of reflection from these poems has come from among the people and has been published among them; these poems are called " folk romantic poems". This article examines the romantical structure of the six lyrical Persian poems, which are considered to be the most famous and most important classical and folk poems. In order to achieve accurate results, in this research stories are analyzed in the form of Prop morphology and with the help of tables. Then, by comparing the results, common and different actions are grouped in these stories. The result is that these stories, as a representative of a group of classic and folk romantic tales, have the same symbols of love and structure that bring them together. The classical poems studied include Khosrow and Shirin, Joseph and Zulikha, and Weiss and Ramin. Folklore is also dear and nigger, Hyderbike and Shembirr, Hosseina and Delaram.

Texts are linked and connected together with specific reasons and motives and in many different ways. Texts about the general history which are written throughout the history are not exceptions. Shahnameh is a pre – text that its presence in the public historical writings indicates an intertextual relationship between these two texts from different and at the same time related branches. So the research question in this paper is that how has been the intertextual connections between Shahnameh and public historical writings from the fifth to mid-eighth century? For this purpose, we took advantage of Gerard Genette’ s intertextuality theory, which is a perfect theory for finding all aspects of an intertextual relationship. The main purpose of this research is to discover and analyze different transtextual relations with Shahnameh in public historical writings. The research methodology is library research and the data analysis method is qualitative. The results obtained from the study indicate that historians knowingly and consciously and under the influence of their social situation and the Supportive institutions have established intertextual relationships with Shahnameh by writing public historical writings to achieve their own goals and motives; and in this regard, they have taken advantage of four types of transtextuality, that is intertextuality, architextuality, paratextuality and metatextuality, respectively from the one used most to the one used least.

The subject and concept of fixed and unifying entities, The central thoughts of mysticism are Attar and Ibn Arabi. This article is about it To the American Adaptive Literature School Check ou Examine the similarities of the ideas from the perspective of Archetypes. According to the results, Attar and Ibn Arabi have similarities in the concepts of the unity of existence and immutable entities. The root of this similarity can be considered as a collective subconscious and an ancient pattern of self. The simorgh or the fixed prophets are the same example of the divine and the beginning in the creation of beings Which represents the first manifestation of the divine names And so are valuable And reaching it represents the ultimate goal of human growth. But in proportion to the difference in the cultural environment, Each of the characters has the following initiatives: Ibn Arabi’ s innovation is the coinage of the term “ immutable entities” with the two manifestations of the Most Holy Effusion and the Holy Effusion And it is the initiative of Attar Has invented In the correspondence of man and the world from the partial point of the original analogy "Particle and the Sun" and "Particle and the Universe" versus the repeated phylosophical depiction of the world's Ibn Arabi And from the general point of view, he has created a comprehensive Simorgh and thirty birds, including the mystical thought of the unity of existence with subcategories such as unity, . . . Which expresses the unity of human thoughts.