A Critique of the Assumption of the Existence of Haiku in Arabic and Persian Poetry

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Rasoulnia Amir Hossein; AGHAJANI MARYAM; Fouladi Ali Reza

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Seminar Paper

Paper Information

Seminar: INTERNATIONAL CONFERENCE ON LANGUAGE, LITERATURE, HISTORY AND CIVILIZATION
Year:2023 | Issue:10

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Title

A Critique of the Assumption of the Existence of Haiku in Arabic and Persian Poetry

Author(s)

Rasoulnia Amir Hossein | AGHAJANI MARYAM | Fouladi Ali Reza

Keywords

haiku

contemporary Arabic poetry

contemporary Persian poetry

Poetric Form

Abstract

haiku is the most important form of Japanese poetry and due to its crossing of cultural borders,it is now one of the short poetry genres worldwide. This type of poetry is deeply connected with Japanese culture and art and tied to Zen philosophy and its most important feature is its simplicity and brevity. It talks about things as they are. In haiku, the poet escapes from words. He tries to deepen his connection with the details of the world by escaping words and escaping eloquence. Hence the most complete poem that a haiku can write is wordless poetry and this paradox is the result of the philosophical and, of course, artistic contradiction that exists in the nature of haiku. The choice of topics that come up in haiku is meaningful and reflects the character, nationality, social status and worldview of haiku poets. Due to the shortness of haiku, many poets of the world call their short poems haiku, regardless of its principles. The point is that the shortness of haiku has nothing to do with its meaning and content. In fact, this type of poetry is a poetic effort that illuminates the poet's soul in the state of discovery and intuition and flows on the page in an instant. This paper traces haiku in poetry and tries-despite the Japanese origin-to see if poems in Arabic and Persian literature contain them or not. The study uses a descriptive-analytical method and concludes that the translation of Japanese haiku into other languages is a near translation that the translators have not been able to ignore language and speech,because in any case, the reader deals with poetry through his traditional perceptions and criteria. In addition, there are significant differences between Japanese haiku and what has been reproduced in Arabic and Persian under this title, which is due to differences in culture and language.

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APA: Copy

Rasoulnia, Amir Hossein, AGHAJANI, MARYAM, & Fouladi, Ali Reza. (2023). A Critique of the Assumption of the Existence of Haiku in Arabic and Persian Poetry. INTERNATIONAL CONFERENCE ON LANGUAGE, LITERATURE, HISTORY AND CIVILIZATION. SID. https://sid.ir/paper/1082589/en

Vancouver: Copy

Rasoulnia Amir Hossein, AGHAJANI MARYAM, Fouladi Ali Reza. A Critique of the Assumption of the Existence of Haiku in Arabic and Persian Poetry. 2023. Available from: https://sid.ir/paper/1082589/en

IEEE: Copy

Amir Hossein Rasoulnia, MARYAM AGHAJANI, and Ali Reza Fouladi, “A Critique of the Assumption of the Existence of Haiku in Arabic and Persian Poetry,” presented at the INTERNATIONAL CONFERENCE ON LANGUAGE, LITERATURE, HISTORY AND CIVILIZATION. 2023, [Online]. Available: https://sid.ir/paper/1082589/en

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