LAUTREAMONT AND PARODY

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ZOKHTAREH HASSAN; GHAVIMI MAHVASH

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Journal: PLUME Year:2011 | Volume:6 | Issue:13 Page(s): 143-163

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Title

LAUTREAMONT AND PARODY

Author(s)

ZOKHTAREH HASSAN | GHAVIMI MAHVASH | Issue Writer Certificate

Keywords

LAUTREAMONTQ2

PARODYQ2

INTERTEXTUALITYQ2

HETEROGENEOUS EFFECTQ2

CARNIVALESQUE WRITING AND DIALECTIC READINGQ2

Abstract

Almost all critical studies concerning LAUTREAMONT allude to a strong presence of PARODY in his works, but no methodological study is to be found, exclusively dedicated to this matter. This is because, PARODY has been, for very long, marginalized by literary critics, and that it was not valued and rehabilitated by literature, literary critic and poetic, before the 20th century. This article, belonging to the INTERTEXTUALITY line, seeks to study the modality of the presence of this technique or, according to some literary theorists, this literary genre, and its’ functions in Les Chants de Maldoror. What appears here, is not solely the abundant presence of different themes and sclerosesliterary disparate originated discourses, but also the involvement of literary notions such as, genre, writing and reading. French: LAUTREAMONT et la parodie Presque toutes les etudes critiques concernant LAUTREAMONT font allusion a la forte presence de la parodie dans ses oeuvres, mais on ne trouve aucune etude methologique, exclusivement consacree a cette question. Cela parce que la parodie a ete depuis longtemps marginalisee par la critique litteraire et qu’il fallait attendre le XXe siecle pour qu’elle se voie valorisee et rehabilitee par la litterature, la critique litteraire et la poetique. Le present article, situe dans la lignee de l’intertextualite, se propose la tache d’etudier la modalite de la presence de cette technique ou, selon certains theoriciens litteraires, de ce genre litteraires ainsi que ses fonctions dansLes Chants de Maldoror. Ce qui y revele, non seulement, la presence abondante de differents themes et discours scleroses litteraires d’origines disparates, mais aussi, met en question les notions litteraires comme le genre, l’ecriture et la lecture.Keyword: LAUTREAMONT, Parodie, Intertextualite, Effet d’Heteroclite, ecriture Carnavalesque et Lecture Dialectique

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APA: Copy

ZOKHTAREH, HASSAN, & GHAVIMI, MAHVASH. (2011). LAUTREAMONT AND PARODY. PLUME, 6(13), 143-163. SID. https://sid.ir/paper/119999/en

Vancouver: Copy

ZOKHTAREH HASSAN, GHAVIMI MAHVASH. LAUTREAMONT AND PARODY. PLUME[Internet]. 2011;6(13):143-163. Available from: https://sid.ir/paper/119999/en

IEEE: Copy

HASSAN ZOKHTAREH, and MAHVASH GHAVIMI, “LAUTREAMONT AND PARODY,” PLUME, vol. 6, no. 13, pp. 143–163, 2011, [Online]. Available: https://sid.ir/paper/119999/en

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ISSN: 2588-4824

Journal Paper

LAUTREAMONT AND PARODY