TYPOLOGY OF IRANIAN ABORIGINAL SONGS

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ZOU ALFAGHARI H.; AHMADI L.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

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Journal: ADAB PAZHUHI Year:2009 | Volume:3 | Issue:7-8 Page(s): 143-170

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Information Journal Paper

Title

TYPOLOGY OF IRANIAN ABORIGINAL SONGS

Author(s)

ZOU ALFAGHARI H. | AHMADI L. | Issue Writer Certificate

Keywords

ORAL LITERATUREQ2

ABORIGINAL SONGSQ2

INTERIOR MONOLOGUEQ2

FOLKLOREQ2

THEMEQ2

Abstract

Aboriginal songs that take advantage of local culture, language and THEMEs, are of great importance in ORAL LITERATURE because they familiarize the readers with the elevated concepts and ideas of a specific region.In the vast cultural area of Iran, the ABORIGINAL SONGS benefit from a great variety and multiplicity: Amiri, Taheri, Talema, Najma, Catooli, Haqani, Soot khani, Sharafshahi, Chehardaneh, Keylaee and Lako, Sharbeh, Sharveh, Hajiani, Fayezkhani, Shanbehee, Dobeyti, Cheharbeyti, Sarhaddi, Sarsowt, Faryad, Nava, Faraghi, Asheqaneh, … are just a part of these songs which must be collected, identified and categorized before being metamorphosed into the vrersions of a dominant culture.This article firstly, through studying the historical backgrounds of the ABORIGINAL SONGS, defines their characteristics, and secondly investigates and clarifies the songs of various parts of Iran considering their geographical districts, appellation, form, esthetic aspects, subject and THEME.

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APA: Copy

ZOU ALFAGHARI, H., & AHMADI, L.. (2009). TYPOLOGY OF IRANIAN ABORIGINAL SONGS. ADAB PAZHUHI, 3(7-8), 143-170. SID. https://sid.ir/paper/137713/en

Vancouver: Copy

ZOU ALFAGHARI H., AHMADI L.. TYPOLOGY OF IRANIAN ABORIGINAL SONGS. ADAB PAZHUHI[Internet]. 2009;3(7-8):143-170. Available from: https://sid.ir/paper/137713/en

IEEE: Copy

H. ZOU ALFAGHARI, and L. AHMADI, “TYPOLOGY OF IRANIAN ABORIGINAL SONGS,” ADAB PAZHUHI, vol. 3, no. 7-8, pp. 143–170, 2009, [Online]. Available: https://sid.ir/paper/137713/en

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