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Information Journal Paper

Title

THE ROLE OF ALLUSIVE SIMILE IN THE LYRICAL STRUCTURE OF HAMIDI SHIRAZI‘S POETRY

Pages

  27-62

Abstract

 Among the contemporary traditional poets in the domain of lyrical literature, in form and in structure, in meaning and content Mehdi HAMIDI SHIRAZI has unique style. In all his works “ashk -e Ma’shough” in particular, every linguistic term, literary device, meter, music of poetry, diction, figurative construction, imagery, form and structure is at the service of element of emotion. In this research attempt is made to study the construction method of his imageries which is the employment of variety of ALLUSIVE SIMILEs such as mythological, epic, religious, romantic and historical ones. He uses such elements to reveal his emotional feelings in the most passionate construction and apart from figurative foregrounding, he has breathed a new life to these structures. The appropriate connection between these allegorical and allusive elements and the flow of love between him and his beloved is the characteristic feature of his poetry.

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    APA: Copy

    MAHOOZI, MEHDI, & ERFANI, MOSTAFA. (2012). THE ROLE OF ALLUSIVE SIMILE IN THE LYRICAL STRUCTURE OF HAMIDI SHIRAZI‘S POETRY. THE JOURNAL OF EPIC LITERATURE (PAZHUHESH-NAMEH FARHANG-O-ADAB), 8(13), 27-62. SID. https://sid.ir/paper/140720/en

    Vancouver: Copy

    MAHOOZI MEHDI, ERFANI MOSTAFA. THE ROLE OF ALLUSIVE SIMILE IN THE LYRICAL STRUCTURE OF HAMIDI SHIRAZI‘S POETRY. THE JOURNAL OF EPIC LITERATURE (PAZHUHESH-NAMEH FARHANG-O-ADAB)[Internet]. 2012;8(13):27-62. Available from: https://sid.ir/paper/140720/en

    IEEE: Copy

    MEHDI MAHOOZI, and MOSTAFA ERFANI, “THE ROLE OF ALLUSIVE SIMILE IN THE LYRICAL STRUCTURE OF HAMIDI SHIRAZI‘S POETRY,” THE JOURNAL OF EPIC LITERATURE (PAZHUHESH-NAMEH FARHANG-O-ADAB), vol. 8, no. 13, pp. 27–62, 2012, [Online]. Available: https://sid.ir/paper/140720/en

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