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Information Journal Paper

Title

THE REFLECTION OF BAR-E DIGAR SHAHRI KE DOOST MIDASHTAM IN SAMFONI-YE MORDEGAN

Pages

  89-112

Abstract

 After the publication of the Samfoni-ye Mordegan (1989), many critics have pointed out the influence of Faulkner’s The Sound and the Fury on Abbas Maroufi’s novel. Perhaps with the publication of Azal ta Abad (Daroonkavi-ye Samfoni-ye Mordegan)and other works that deal with the commonalities of these two novels, there is no more the need for further investigation of the topic. Moreover, Nader Ebrahimi (1936-2008), in an interview entitled as “Ghooteh Khordani Gharib dar Dastan” (1997), without any direct reference to the Samfoni-ye Mordegan, accuses the author of the novel of plagiarizing, not from the Sound and the Fury, but from Bar-e Digar Shahri ke Doost Midashtam (1966). In this paper, with attention to the principle of anxiety of influence and the polyvalence of meaning in this novel, I have tried to respond to Ebrahimi’s accusations and to investigate the how and why of the influence of Bar-e Digar Shahri ke Doost Midashtamon Maroufi’s novel.

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    APA: Copy

    DEHGHAN POUR, PEYMAN. (2013). THE REFLECTION OF BAR-E DIGAR SHAHRI KE DOOST MIDASHTAM IN SAMFONI-YE MORDEGAN. LITERARY CRITICISM, 6(22), 89-112. SID. https://sid.ir/paper/158342/en

    Vancouver: Copy

    DEHGHAN POUR PEYMAN. THE REFLECTION OF BAR-E DIGAR SHAHRI KE DOOST MIDASHTAM IN SAMFONI-YE MORDEGAN. LITERARY CRITICISM[Internet]. 2013;6(22):89-112. Available from: https://sid.ir/paper/158342/en

    IEEE: Copy

    PEYMAN DEHGHAN POUR, “THE REFLECTION OF BAR-E DIGAR SHAHRI KE DOOST MIDASHTAM IN SAMFONI-YE MORDEGAN,” LITERARY CRITICISM, vol. 6, no. 22, pp. 89–112, 2013, [Online]. Available: https://sid.ir/paper/158342/en

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