BIENNALE OF THE POWER: AN ARENA FOR COMPETITION AMONG PAINTING ARTISTS

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

AFSARIAN I.

Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: SOCIOLOGICAL JOURNAL OF ART AND LITERATURE Year:2010 | Volume:1 | Issue:2 Page(s): 171-195

Download Full-Text

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Verion

View:

2,064

Download:

Cites:

Information Journal Paper

Title

BIENNALE OF THE POWER: AN ARENA FOR COMPETITION AMONG PAINTING ARTISTS

Author(s)

AFSARIAN I. | Issue Writer Certificate

Keywords

PAINTING BIENNALEQ3

ARENA OF POWERQ2

MODERNIST PAINTINGQ3

SOCIAL CAPITALQ2

SYMBOLIC CAPITALQ2

ARTISTIC RULESQ3

Abstract

The present study examines competition among modernist painters for symbolic, social, economic and cultural capitals within the past 50 years and has tried to reveal how political and social developments along with actions and fractions, have affected arenas of competition for power in the field of painting, as well as state's power realm. This article has employed the artistic arena theory by Pierre Bourdieu and its main hypothesis is that when there is an agreement on art theory and the definition of art for different arenas of art and the state, the main competition will push to cultural capitals and this will culminate in the creation of art works with higher quality. When there is no such integrity between these two arenas, completion will be directed to other capitals which have more clear definitions and there is a higher level of agreement on them. Symbolic and SOCIAL CAPITALs are among these. To examine this hypothesis, PAINTING BIENNALE were studied and it was revealed that order and composition of placement of works in the hall of exhibition, along with the order and composition of these works in the catalogues of each biennale had relation with developments in power arenas of plastic art works, as well as power arenas outside this realm. Final conclusion is that in the in the decades of 1340's and first half of 1350's and during Khatami's administration, there has been a consensus between the state (the big supporter) and modernist artists on the ARTISTIC RULES and this was the reason for increasing the importance of cultural capital in comparison with other kinds of capitals.

Cites

AN ANALYSIS OF THE SOCIAL CONDITIONS LEADING TO MATERIALITY OF CONTEMPORARY REALIST PAINTING IN IRAN DURING 1997 AND 2009

References

Cite

APA: Copy

AFSARIAN, I.. (2010). BIENNALE OF THE POWER: AN ARENA FOR COMPETITION AMONG PAINTING ARTISTS. SOCIOLOGICAL JOURNAL OF ART AND LITERATURE, 1(2), 171-195. SID. https://sid.ir/paper/164080/en

Vancouver: Copy

AFSARIAN I.. BIENNALE OF THE POWER: AN ARENA FOR COMPETITION AMONG PAINTING ARTISTS. SOCIOLOGICAL JOURNAL OF ART AND LITERATURE[Internet]. 2010;1(2):171-195. Available from: https://sid.ir/paper/164080/en

IEEE: Copy

I. AFSARIAN, “BIENNALE OF THE POWER: AN ARENA FOR COMPETITION AMONG PAINTING ARTISTS,” SOCIOLOGICAL JOURNAL OF ART AND LITERATURE, vol. 1, no. 2, pp. 171–195, 2010, [Online]. Available: https://sid.ir/paper/164080/en

Related Journal Papers