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Cites:

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Information Journal Paper

Title

SADI’S STYLE IN AMBIGUITY AND ITS EXTENSION IN HIS LYRICS

Pages

  75-89

Abstract

 Ambiguity is one of the most important facilities of poetry language. This new skill is known one of semantic informalities appeared in companionship and association based on combination and connects words with ambiguity, which is one of important elements of literary language.This essay is the result of complete study of SADI’s LYRICs and extracting application of TYPES OF AMBIGUITY in them. In this essay using diagram, the rate and way of application of types of ambiguities (poet’s STYLE in ambiguity) in SADI’s LYRICs have been shown. Also, it describes that SADI, though is a frank poet and clearly suggests his internal secrets, can’t ignore one of the greatest facilities of poetry language connecting to ambiguity, and disregard the esthetic literary role of ambiguity. The evidence is some examples of all TYPES OF AMBIGUITY seen in all LYRICs of this famous poet.

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  • Cite

    APA: Copy

    GHANIPOUR MALEKSHAH, AHMAD, & MEHDINIA CHOOBI, SEYED MOHSEN. (2011). SADI’S STYLE IN AMBIGUITY AND ITS EXTENSION IN HIS LYRICS. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 4(2 (12)), 75-89. SID. https://sid.ir/paper/170729/en

    Vancouver: Copy

    GHANIPOUR MALEKSHAH AHMAD, MEHDINIA CHOOBI SEYED MOHSEN. SADI’S STYLE IN AMBIGUITY AND ITS EXTENSION IN HIS LYRICS. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2011;4(2 (12)):75-89. Available from: https://sid.ir/paper/170729/en

    IEEE: Copy

    AHMAD GHANIPOUR MALEKSHAH, and SEYED MOHSEN MEHDINIA CHOOBI, “SADI’S STYLE IN AMBIGUITY AND ITS EXTENSION IN HIS LYRICS,” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 4, no. 2 (12), pp. 75–89, 2011, [Online]. Available: https://sid.ir/paper/170729/en

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