COHERENCE AND COHESION IN RASHIDULDIN MAIBODY’S MYSTIC PROSE STYLE

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JABRI S.; MOHAMMADZADEH S.A.

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Paper Information

Journal: JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB) Year:2010 | Volume:3 | Issue:2 (8) Page(s): 59-76

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Information Journal Paper

Title

COHERENCE AND COHESION IN RASHIDULDIN MAIBODY’S MYSTIC PROSE STYLE

Author(s)

JABRI S. | MOHAMMADZADEH S.A. | Issue Writer Certificate

Keywords

ALNOBATOLSALASE KASHFOLASRAR VA EDATOLABRARQ3

ABOLFAZL RASHIDULDIN MAIBODYQ2

MYSTIC PROSEQ2

STYLEQ2

COHERENCEQ2

COHESIONQ2

Abstract

The structure of each and every text, taken from an independent meaningful unit which is a sentence up to a full text is formed by the internal COHERENCE and COHESION. COHERENCE and COHESION are perceived through the structural and meaning harmony of the components and the elements of the text; it also leads to a much deeper recognition of the meaning plus this recognition leads to a higher attraction and motivation of reading the text. The text ‘Alnobatolsalase’ with the expansion and the independence of its sections possesses a deep and complex internal COHERENCE and COHESION. After analyzing the elements of the technical prose STYLE of ‘Alnobatolsalase’ and its mystic, prose, interpretative, poetic, and narrative dimensions, I came to know that the major part of laying the ground works for the internal COHERENCE and COHESION and the deep and complex structural meaning association among the different sections is centred in the same technical prose STYLE and the mystic, the prose, the interpretative, the poetic and the narrative dimensions of the text. It is so that, each of these dimensions, have created internal COHERENCE and COHESION, and the COHERENCE and COHESION based on their nature within the context, and at the same time have appropriated for themselves a share in the internal COHERENCE and COHESION of the text. Then, I have reached the conclusion that the internal COHERENCE and COHESION of the text ‘Alnobatolsalase’: Revealing the Secrets’ in its greatest dimension is one of the evident indexes of Maiboy’s STYLE="font-style:inherit;color:#ff0078"> MYSTIC PROSE STYLE.

Cites

STYLISTICS AND LITERARY CRITICISM IN IRAN: A COMPARATIVE STUDY OFLITERARY CRITICISM AND BAHAR-E ADABJOURNALS PUBLISHED IN 2010

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APA: Copy

JABRI, S., & MOHAMMADZADEH, S.A.. (2010). COHERENCE AND COHESION IN RASHIDULDIN MAIBODY’S MYSTIC PROSE STYLE. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), 3(2 (8)), 59-76. SID. https://sid.ir/paper/170778/en

Vancouver: Copy

JABRI S., MOHAMMADZADEH S.A.. COHERENCE AND COHESION IN RASHIDULDIN MAIBODY’S MYSTIC PROSE STYLE. JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)[Internet]. 2010;3(2 (8)):59-76. Available from: https://sid.ir/paper/170778/en

IEEE: Copy

S. JABRI, and S.A. MOHAMMADZADEH, “COHERENCE AND COHESION IN RASHIDULDIN MAIBODY’S MYSTIC PROSE STYLE,” JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB), vol. 3, no. 2 (8), pp. 59–76, 2010, [Online]. Available: https://sid.ir/paper/170778/en

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