JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)
Year:2010 | Volume:3 | Issue:2 (8)|Papers Count:12

Deviation is one of the important factors in presenting literary style whose range can be discriminated through occurrence frequency in each work. Phonetic and syntactic levels of language are of those areas which you can study considering the theory of "deviation". In other words changes occurring in phonetic level of language of poetry finally lead to its stylistic distinction in musical area. Lexical deviation also has an important role in stylistic distinction in inflexion area of language. Now there is a question that what is the effect of Naser-e Khosrow's poem's deviation in both phonetic and lexical areas is on the range of stylistic discrimination and distinctoin of his poem comparing with that of the poets in his era? In this essay we are to present and consider both phonological deviation - such as sound alternation‚ elision‚ metathesis and etc - and morphological deviation - such as archaism and neologism - in Naser-e Khosrow's poems as we compare them with those of Onsori and Farrokhi. Accordingly Naser-e Khosrow did deviation in five items comparing with Onsori and Farrokhi. Also archaism is the device which has the most frequency and is the most important stylistic ditinction in lexical part of language in Naser-e Khosrow's poem.

"Khaghani's Collected Poems Explanatory Notes" is a result of venerable contemplation on Khaghani Sharvani's poem and it is an auspicious effort in untying his difficult lines of poem. Nevertheless it is deserved that some explained difficult lines in this work be reinterpreted differently."Reinterpretation of sixteen lines of Khaghani's Collected Poems Explanatory Notes", is a disquisition on a part of that and it is a way for finding khaghani’s style in poetry.

Sa’eb Tabrizi is one of the greatest poets of the Indian Style who has left more than one hundred thousand distiches behind. One of the characteristics of the Indian Style is theme-development via poetic images. The followers of this style consider novel modes of expression the only way to get rid of repetition and banality, and somehow detach themselves from the dominance of great poetic experiences preceding them. In the similes used in this era, the poet seeks to create new meaning horizons and develop original imageries. Hence, each theme looked upon from different perspectives, is a ground for creating new experiences for him. Here, Sa’eb is a unique poet who has created hundreds of different themes out of a single subject. One of these motives is “mirror” which has created themes, sometimes peculiar, via different vehicles in the poet’s imagination.

The structure of each and every text, taken from an independent meaningful unit which is a sentence up to a full text is formed by the internal coherence and cohesion. Coherence and cohesion are perceived through the structural and meaning harmony of the components and the elements of the text; it also leads to a much deeper recognition of the meaning plus this recognition leads to a higher attraction and motivation of reading the text. The text ‘Alnobatolsalase’ with the expansion and the independence of its sections possesses a deep and complex internal coherence and cohesion. After analyzing the elements of the technical prose style of ‘Alnobatolsalase’ and its mystic, prose, interpretative, poetic, and narrative dimensions, I came to know that the major part of laying the ground works for the internal coherence and cohesion and the deep and complex structural meaning association among the different sections is centred in the same technical prose style and the mystic, the prose, the interpretative, the poetic and the narrative dimensions of the text. It is so that, each of these dimensions, have created internal coherence and cohesion, and the coherence and cohesion based on their nature within the context, and at the same time have appropriated for themselves a share in the internal coherence and cohesion of the text. Then, I have reached the conclusion that the internal coherence and cohesion of the text ‘Alnobatolsalase’: Revealing the Secrets’ in its greatest dimension is one of the evident indexes of Maiboy’s mystic prose style.

It’s very famous that nima yushij is the first poet who recite "new poem" and to lay the foundation this kinf of poem. This research shows that nima isn’t originator of "new poem".

Sadr Al’Din Ayni (lunar calendar: 1256-1333 /1878-1954) is one of the greatest and most influential literary figures of the Persian-Tajiki language in Transoxania. His memoirs are certainly one of the most important prose literary works of the 19th and 20th centuries. Indeed, what are the features of this work that forces the Persian speaking countries to admire it? The alert reader may find the answer to this question when recognizing that in the final years of his life, the author distanced himself from the world in order to gain perspective, as he depicts his childhood in a sweet and fluid language. He presents the Bukhara society and culture in such a way that one could easily call this work Tajiki literature of the 19th and 20th centuries. Aini’s prose and writing style is reminiscent of Beyhaqi or Saadi’s Golestan and is influenced by Georgia and the Balzac. Its elegant style is also slightly layered with socialist ideology and reveals the Russian influence onto writers of that time. For the first time in Iran, this article reviews the literary and linguistic value of this work especially in its assessment of the lives of Persian language speakers who lived in the same era as the author in Transoxania.

Ibrahim Golestan as a writer and a novelist has had a tangible and distinguished influence on the writers of his next generation. His tunable, melodic distinguished prose which is influenced by Sa’di’s melodic and tunable prose in one hand and also influenced by his contemporary American writers such as Hemingway has a distinguished and perfect form in story collections such as “Azar, the last month of fall”, “the hunting of shadow”, “raceway and wall and the thirsty”, “fashion and fog” and the novel “rooster”. This form faces subjective and lingual perceptions from writers of his next generation in a way that we can say that, the range of the dominant language over the contemporary story literature and creation of ways of language contact, like creation of tunable and poetic areas in the context of language are clearly rooted in Ebrahim Golestan’s Writings. The present research attempts to analyze the influence of Erahim Golesatn on the contemporary literary atmosphere in Iran by reviewing the special features of his style and his influence from other old and new writers.

The fundamental question in this article is what stylistic features of Hossein monzavi’s songwriting, and Whether there is a sign of poetic art, Poetic structure,rhythm, figures of speech, simile and metaphor in his lyrics, Or Whether using simple language and slang deprived it from litrarines and In lyrics, low style has replaced Eloquent poetry style of monzavi. Metrical quality and musical features of lyrics have been also examined in this article.

In this essay we have an intention that consider for multiple meaning in the style of Nafthatolmasdor.This book is very important for two sides: first for explanation for part of Iran history biography form and second for writing manner that application of figures of sound, figures of thought and figures of speech is very worthy of attention and doubtless is one of the Persian literature masterpieces.This essay writes in several parts:Introduction that including the introduction of author, contents and literary-historic style and multiple meaning in this book.Than multiple meaning narration with a view of figures of speech leaders and explanation Of samples of multiple meaning models in the Nafthatolmasdor.

Jamalaldin Salman son Khoja Ala’ddin Mohammad Savojy known as Savojy Salman pseudonym that poetry was in 709 AH. Saveh fairly famous family and was born accessed. JalayerI engaged in the service of kings and to praise the Sultan Oveys and Sheikh Hassan great and Delshad Khatoon has paid. Salman Savojy particular style of poetry that can be said that limbo between his poetry and average old. End interpretations of His Word and the old age and begin a new period is such that for all its poetry and literature professors to age and skill mastery in poetry and speak Salman confessed said. Hafez Shirazi from Molana, Sa’adi, Amir khosro Dehlavi, Salman Savojy and Khajoie kermani is influenced by the poetry of Hafiz .Salman so certain that in respect of expression in many cases very close to Salman is speaking style. This impress terms of content and weight and row and rhyme is very tangible.

Mehdi Akhavan qaleq, one of the contemporary modernizations of Iran, which influence in shaping the way poetry, has had. This study examined the effects of music and harmony prosodical NymaIe poems the poet has been.In this paper, after a brief setup about poetry and music written materials about the new orientation, the prosody of all that Akhavan, his poetry NymaIe is mentioned in their written samples has been introduced and finally the results and analysis from this research is a joint expression.The aim of this study, the specified place and method of weights prosodical poems NymaIe Akhavan noted that the course examples and weight charts that a poet has to use them,is necessary.

Intrusive consonant Y (ء) used after the nouns ended nonverbal H (ه) like:نامه من  has been a common phenomenon in the old Persian texts,and we have inherited it as a writing language and culture. Hence, its teaching and learning is an evitable necessary for communication with our antecedents, descendents and contemporary people. Now it is more than ten years that along some Persian orthographic developments, its big alternative, the form of (ی) is used instead of (ء). This phenomenon was started by educational textbooks .and thereby it extended to other publication centers. Although Persian Language and Literature Academy approved the usage of intrusive consonant (ء) after nonverbal H (ه),according to generalization, the correspondence between writing and verbal forms principle, educational considerations, its background in some old texts and its resemblance with glottal stop sign in Persian are the reasons that justify its usage in contemporary texts. this article studies on these reasons and concludes the act of the Academy must be base for writing and editing in Persian texts.