A RESEARCH INTO LIVE AND ACTIVE IMAGERY IN MOTENABBI'S POETRY (WITH AN EMPHASIS ON SOUND IMAGERY)

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MASBOOGH SEYYED MEHDI; GHAEMI MORTEZA; FARROKHI RAD PARVIN

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Paper Information

Journal: JOURNAL OF LESAN MOBEEN Year:2011 | Volume:2 | Issue:4 Page(s): 219-232

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Title

A RESEARCH INTO LIVE AND ACTIVE IMAGERY IN MOTENABBI'S POETRY (WITH AN EMPHASIS ON SOUND IMAGERY)

Author(s)

MASBOOGH SEYYED MEHDI | GHAEMI MORTEZA | FARROKHI RAD PARVIN | Issue Writer Certificate

Keywords

MOTENABBIQ3

IMAGERYQ2

SOUND SYSTEMQ2

SOUND IMAGERYQ3

POETRYQ2

Abstract

MOTENABBI's divan as an outstanding piece of literary work is replete with different kinds of IMAGERY such as auditory, visual, olfactory, tactility, and taste. Meanwhile, sound IMAGERY is mainly evident in his verses, which in turn indicates his creativity and inner thought. This kind of IMAGERY is employed such a care that creates live and active IMAGERY. In this respect, he has paid close attention to the surrounding sounds such as horse's neigh, corps' clamor, clanking of the swords, sound of jumping arrows, wind puff, thunder clap, water gurgle, and his dialogue with others, so the addressee would comprehend the reality of the mind and poetic experience.

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APA: Copy

MASBOOGH, SEYYED MEHDI, GHAEMI, MORTEZA, & FARROKHI RAD, PARVIN. (2011). A RESEARCH INTO LIVE AND ACTIVE IMAGERY IN MOTENABBI'S POETRY (WITH AN EMPHASIS ON SOUND IMAGERY). JOURNAL OF LESAN MOBEEN, 2(4), 219-232. SID. https://sid.ir/paper/186810/en

Vancouver: Copy

MASBOOGH SEYYED MEHDI, GHAEMI MORTEZA, FARROKHI RAD PARVIN. A RESEARCH INTO LIVE AND ACTIVE IMAGERY IN MOTENABBI'S POETRY (WITH AN EMPHASIS ON SOUND IMAGERY). JOURNAL OF LESAN MOBEEN[Internet]. 2011;2(4):219-232. Available from: https://sid.ir/paper/186810/en

IEEE: Copy

SEYYED MEHDI MASBOOGH, MORTEZA GHAEMI, and PARVIN FARROKHI RAD, “A RESEARCH INTO LIVE AND ACTIVE IMAGERY IN MOTENABBI'S POETRY (WITH AN EMPHASIS ON SOUND IMAGERY),” JOURNAL OF LESAN MOBEEN, vol. 2, no. 4, pp. 219–232, 2011, [Online]. Available: https://sid.ir/paper/186810/en

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