The Study of Revelation Discourse in Resaleh Lavayeh by Einolghozat Hamedani Based on Role-Play Approach

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Vafaee Abbassali; MILADI FERESHTEH

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Journal: RELIGION & MYSTICISM Year:2019 | Volume:15 | Issue:58 Page(s): 13-39

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Title

The Study of Revelation Discourse in Resaleh Lavayeh by Einolghozat Hamedani Based on Role-Play Approach

Author(s)

Vafaee Abbassali | MILADI FERESHTEH | Issue Writer Certificate

Keywords

Resaleh LavayehQ1

Revelation discourseQ1

Halliday's role-play grammarQ1

indirect rearing of followerQ1

Emotional feelingsQ1

annihilation of existence and attributesQ1

Abstract

Resaleh Lavayeh is an elected work in the mystical school of "revelation" which is written to explain the "stages of revelation". In the domination of discourse system on a work, that is, "discourse of intuitive love and objective revelation", one of its distinguished discourse approaches should be found in the way of the discourse participants in the form of the three-fold sides of the love triangle. By presenting a multidimensional discourse revolving around "lover", his interrelationship with "beloved" and the intermediation of "love", Einolghozat Hamedani attempts to explain "intuitive love" in his unique and poetic point of view. To create a musical discourse for Einolghozat, the aim is infuse and refer the desired idea onto the public audience that is at the primitive stage of spiritual journey. With reference to the ultimate goal of the author concerning the intuitive love, that is, "objective revelation", "oneness with beloved", and eventually "annihilation of existence and attributes", what matters about lover is "obliteration, annihilation, and unity". Thus, regarding his spiritual talent, at any stages of revelation, the participant experiences exclusive Emotional feelings. Some of these feelings including "fear and insincerity" related to the elements of love, some other ones such as "doubt and denial" concerning the stage of influence and domination of love, and some others including "impoverishment and nonexistence" relates to the final stage of love and oneness with the beloved. In this descriptive analytic research it is attempted that while emphasizing the Halliday's role-play grammar, the most explicit Emotional feelings available in a text as per the central participant in a discourse could be studied in any of the stages of revelation on the basis of "infusion" and "manifestation of implicit nature". Due to the versatility of feelings, the linguistic process to explain them is different and versatile. The "communicative, materialistic, and verbal" processes are the most frequent ones in terms of explaining these feelings. Enjoying allegory, simile, and various replications are major tools by Einolghozat concerning transfer of his perceptions to primitive and public audience, at the level of statement, sentences, and grammatical structures.

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APA: Copy

Vafaee, Abbassali, & MILADI, FERESHTEH. (2019). The Study of Revelation Discourse in Resaleh Lavayeh by Einolghozat Hamedani Based on Role-Play Approach. RELIGION & MYSTICISM, 15(58 ), 13-39. SID. https://sid.ir/paper/191448/en

Vancouver: Copy

Vafaee Abbassali, MILADI FERESHTEH. The Study of Revelation Discourse in Resaleh Lavayeh by Einolghozat Hamedani Based on Role-Play Approach. RELIGION & MYSTICISM[Internet]. 2019;15(58 ):13-39. Available from: https://sid.ir/paper/191448/en

IEEE: Copy

Abbassali Vafaee, and FERESHTEH MILADI, “The Study of Revelation Discourse in Resaleh Lavayeh by Einolghozat Hamedani Based on Role-Play Approach,” RELIGION & MYSTICISM, vol. 15, no. 58 , pp. 13–39, 2019, [Online]. Available: https://sid.ir/paper/191448/en

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