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Information Journal Paper

Title

RELIGIOUS INTERTEXTUALITY IN AL-SHAB AL-ZARIF’S, WORLDLY LYRIC

Pages

  1-21

Abstract

 Al-shab Al-Zarif, one of the most Well-known Poets of Decadence Age, is Also a Foremost Borrower of Religious Texts in the Field of WORLDLY LYRIC. His Lyrics are Influence by QURAN, Various Religious Texts, and Notions of his Sufi Father, Afif Al-din Telmesani. This Study Tries to Examine the Works of this Prominent Poet and Analyze Their Intersexual Relations to Show his Power in Mixing Religious Materials With Clearly Expressed and Seemingly Contradictory Lyric. This Study Reveals That His Works First and Foremost Inspired by QURAN, Religious Rites and Rituals and Then Religious Science Terminology, Sufi Concepts, and Finally, Various Historical Religious Figures. He Expertly and Extraordinarily Intertwines Worldly and Religious Meanings Together and Reaches The highest Level of INTERSEXUALITY Which is Complete Negation. Finding the Hidden Layers Inside Various Literary Texts Makes a Deeper Reading and Helps us to Understand that Particular Text more Thoroughly and See it in a Completely New Way.

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  • Cite

    APA: Copy

    HEIDARI, MAHMOOD, DADPOOR, NADYA, & MIRGHADERI, MARYAM. (2014). RELIGIOUS INTERTEXTUALITY IN AL-SHAB AL-ZARIF’S, WORLDLY LYRIC. ARABIC LITERATURE (FACULTY OF LETTERS AND HUMANITIES), 5(2), 1-21. SID. https://sid.ir/paper/211536/en

    Vancouver: Copy

    HEIDARI MAHMOOD, DADPOOR NADYA, MIRGHADERI MARYAM. RELIGIOUS INTERTEXTUALITY IN AL-SHAB AL-ZARIF’S, WORLDLY LYRIC. ARABIC LITERATURE (FACULTY OF LETTERS AND HUMANITIES)[Internet]. 2014;5(2):1-21. Available from: https://sid.ir/paper/211536/en

    IEEE: Copy

    MAHMOOD HEIDARI, NADYA DADPOOR, and MARYAM MIRGHADERI, “RELIGIOUS INTERTEXTUALITY IN AL-SHAB AL-ZARIF’S, WORLDLY LYRIC,” ARABIC LITERATURE (FACULTY OF LETTERS AND HUMANITIES), vol. 5, no. 2, pp. 1–21, 2014, [Online]. Available: https://sid.ir/paper/211536/en

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