THE ANALYSIS OF THE CONCEPT OF POETRY FROM RAFEYI AND OGHAD’S VIEWPOINTS

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SEDGHI HAMED; FASHI HAMED

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Journal: RAYS OF CRITICISM IN ARABIC AND PERSIAN Year:2013 | Volume:3 | Issue:10 Page(s): 9-41

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Title

THE ANALYSIS OF THE CONCEPT OF POETRY FROM RAFEYI AND OGHAD’S VIEWPOINTS

Author(s)

SEDGHI HAMED | FASHI HAMED | Issue Writer Certificate

Keywords

POETRY

CRITICISM

CONTEMPORARY LITERATURE

MUSTAFA SADEGH RAFEYI

ABBAS OGHAD

Abstract

Analysis of critical views to figure out poem’s meaning usually ignites critical disagreements and numerous discussions because, mostly, in any juncture by any poet and textual critic, a special definition is produced. On the other hand, a poem is the heart of art with spiritual quality that this quality will link it to human spirit and so any artist, as a human, has his own spirit. So this would cause that anyone, depending on his spiritual manner gives a different definition than others over poem. The other dimension of this feature is poem’s multilateral aspect because human spirit isn’t a one- dimensional phenomenon. Therefore, whatever linked to spirit can’t be one dimensional and lately leads to complication and hardens the normative logical definition of poem. Thus many contemporaneous literary men try to give a definition based on their experience by contemplating on their own poetic observation. We have chosen two poets who are authoritative at CRITICISM as well, to give a deep, new and different definition of POETRY. In this research we aim to practice by analyzing two Arab critics views concerning each poem's definition, context of POETRY, with giving public sight about this artistic phenomenon, with a special analysis of critics' books with thematic analysis of Rafeyi and Oghad’s verse and prose literature, to make a new design for poem’s definition by pivoting their opinion, and judging their literary controversy in artistic dimension as far as we can. According to research, a poem is a phenomenon including innate, divine, sensible sentiment, efficient notion, musical words, in both critics' opinion.

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APA: Copy

SEDGHI, HAMED, & FASHI, HAMED. (2013). THE ANALYSIS OF THE CONCEPT OF POETRY FROM RAFEYI AND OGHAD’S VIEWPOINTS. RAYS OF CRITICISM IN ARABIC AND PERSIAN, 3(10), 9-41. SID. https://sid.ir/paper/212465/en

Vancouver: Copy

SEDGHI HAMED, FASHI HAMED. THE ANALYSIS OF THE CONCEPT OF POETRY FROM RAFEYI AND OGHAD’S VIEWPOINTS. RAYS OF CRITICISM IN ARABIC AND PERSIAN[Internet]. 2013;3(10):9-41. Available from: https://sid.ir/paper/212465/en

IEEE: Copy

HAMED SEDGHI, and HAMED FASHI, “THE ANALYSIS OF THE CONCEPT OF POETRY FROM RAFEYI AND OGHAD’S VIEWPOINTS,” RAYS OF CRITICISM IN ARABIC AND PERSIAN, vol. 3, no. 10, pp. 9–41, 2013, [Online]. Available: https://sid.ir/paper/212465/en

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