IMAGING OF BLANK VERSE

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TAHERI HAMID; RAHMANI MARYAM

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Journal Paper

Paper Information

Journal: ADABIYAT-E PARSI-YE MOASER (CONTEMPORARY PERSIAN LITERATURE) Year:2012 | Volume:1 | Issue:2 (2) Page(s): 57-88

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Information Journal Paper

Title

IMAGING OF BLANK VERSE

Author(s)

TAHERI HAMID | RAHMANI MARYAM | Issue Writer Certificate

Keywords

IMAGEQ2

MODERN POETRYQ2

SHAMLOUIS IMAGESQ2

AFTER 70TH DECADE’S IMAGESQ2

SPACINGQ2

Abstract

Of MODERN POETRY’s IMAGE has various differences till how. We can be divided it in two parts. 1) shamlouis IMAGEs, 2) after70th decade’s IMAGEs in a wolly look, we can say that cross center in MODERN POETRY is much more important that classic poem and it is because of personality, free IMAGE, renew, and variation of make IMAGE elements.Shamlouis pictures, are more sensible, and they make with natural elements by knowledge.But IMAGEs after 70th decade, are more sensitive, mental, which are made by unnatural elements and SPACING with them are more in other types of IMAGE.

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"LA'AL-E BAYAN-E" HAFIZ

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APA: Copy

TAHERI, HAMID, & RAHMANI, MARYAM. (2012). IMAGING OF BLANK VERSE. ADABIYAT-E PARSI-YE MOASER (CONTEMPORARY PERSIAN LITERATURE), 1(2 (2)), 57-88. SID. https://sid.ir/paper/221559/en

Vancouver: Copy

TAHERI HAMID, RAHMANI MARYAM. IMAGING OF BLANK VERSE. ADABIYAT-E PARSI-YE MOASER (CONTEMPORARY PERSIAN LITERATURE)[Internet]. 2012;1(2 (2)):57-88. Available from: https://sid.ir/paper/221559/en

IEEE: Copy

HAMID TAHERI, and MARYAM RAHMANI, “IMAGING OF BLANK VERSE,” ADABIYAT-E PARSI-YE MOASER (CONTEMPORARY PERSIAN LITERATURE), vol. 1, no. 2 (2), pp. 57–88, 2012, [Online]. Available: https://sid.ir/paper/221559/en

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