ADABIYAT-E PARSI-YE MOASER (CONTEMPORARY PERSIAN LITERATURE)
Year:2012 | Volume:1 | Issue:2 (2)|Papers Count:7

The present paper is an aesthetic analysis of the language of modern poetry, based Ahmad shamloo abd Nima ushij works. This analysis is based on a new viewpoint, far from the classic standards. Classical Persian literature critics believe that the most important condition for the language is to be fee from those decremented defects the eloquence. These colophony, barbarism, verbal and semantic complexity, underlyepizeuxia, concatenation of addition compounds.The present study demonstrates, through studying the works of Nima and Shamloo that the above mentioned not only cannot be considered as the defect of speech, but also they make the speech more beautiful and impressive. The poets can utilize them as useful tactic for making an eloquent speech for instance; they can speak against the standard of grammar, thus creating a new, outstanding speech, or they may express the anger, the agony and the protest through and aggressive wording (abominable to the symmetry between the sense and the language, or to utilize the complexity so beautifully so as to be termed as “artistic ambiguity”.

“Kharname” has been written in French and in the most references, Etemad-o -Saltane has been introduced as the Persian translator. He was proficient in French language and have translated many works into Persian; so, the most of criticisms have supposed that he has translated this book from French.Since, usually in translation some items penetrate from the original language, in this essay, these items have made obvious the book is translated from Turkish to Persian. And different ideas which have been added to the main text in order to embellish and criticize government have been shown.

Social, political and cultural developments of Iran in Qajar period exposed the strictly traditional society of Iran to the waves of western culture and in general caused an unprecedented situation. In this article, an attempt is made to study the possible impacts of social developments on the poetry and painting in the Qajar period. To do so, first the social and cultural situation of the period is briefly considered. Then, by investigating the poetry and painting of that period, the paper considers four approaches, two of which are quite new. The use of different styles in expressing artistic expressions by poets and painters seems to be nothing but testing the ways to escape from such social-cultural crisis. Finally, it is concluded that common social situations have had a similar effect on these two kinds of art; an effect which has caused a remarkable similarity between the two.

Of modern poetry’s image has various differences till how. We can be divided it in two parts. 1) shamlouis images, 2) after70th decade’s images in a wolly look, we can say that cross center in modern poetry is much more important that classic poem and it is because of personality, free image, renew, and variation of make image elements.Shamlouis pictures, are more sensible, and they make with natural elements by knowledge.But images after 70th decade, are more sensitive, mental, which are made by unnatural elements and spacing with them are more in other types of image.

Russian Formalists considered literature as a special use of language which occurs through deviating from defamiliarizing the practical language. Thus, due to the special function of language in literary criticism new debates were initiated which inspired the modern critics in their analysis of literature. "Defamiliariztion" is the key concept in formalism and deviation is the key term defamiliarization. In this essay the formalistic approach is used to analyze the lexical archaism in Nima Yushij's free verses and his modern views on poetry in this regard. The poet's use of this archaic language and his commitment to tradition in some cases and non-commitment in some other cases is studied.

Due to the close interaction of language and cultural traditions, since 19th century teaching culture is seen as a part of teaching a language. Still, the lack of researches in regard to the impact of teaching the Iranian culture on teaching Persian to speakers of other languages (TPSOL) is obvious; according to which the present research has been organized and illustrates its beneficial points. For the purpose of the research, questionnaires were prepared and distributed among 50 native speakers of Persian in different ages and levels of education. The purpose has been to analyze the frequency of the matters that can be seen as cultural attractions for speakers of other languages, and proposes their inclusion in curriculums and teaching materials. The data analysis is provided on 3 main divisions of the impact of: cultural attractions of Iran, teaching environment and cultural attractions on teaching Persian, holding classes and cultural courses in different environments. The results of the frequency analysis are shown in 6 charts and tabled throughout the paper, which reveals that creating cultural background has a great impact on learning Persian and can cause positive or negative attitudes towards the language.

It is mostly considered that sound of the foot of water poem of Sepehri is solely a descriptive – poetical poem. But according to the findings of this essay, It is proved that in the hidden layers of this poem, a philosophical Function is hidden, and there is a type of existence recognition function between the elements and the events of the nature of the poem. Because Sepehri is one of the poets who used both the heuristic teachings and descriptive -artistic capabilities.Of course, there are the same capabilities that help him to recognize the meaningful concepts of the elements with an intelligent understanding, and then he expresses the dialectical relations of phenomena and their celestial type of discipline in a poetical form un explicitly. A deep notion to the corners and expressional and thoughtful centers of the poem shows that he provided the hidden angles of this poem in an exalted level with an extreminological approach.According to the findings, it can certainly be said that in this poem, the poet is not solely thinking of the description and explanation of the pleasure of in a poetical form and view, but he wants to express recognitional manner.Therefor, this article has provided and proved the above -mentioned view in a library way study with an analytic- philosophical method.