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Title

IN FRENCH: TRIOMPHE DE LA SYNTONIE DANS LE DOCTEUR PASCAL D’ÉMILE ZOLA, UNE LECTURE FIGURATIVE (IN ENGLISH: THE TRIUMPH OF SYNTONY IN ZOLA’S LE DOCTOR PASCAL, A FIGURATIVE STUDY)

Pages

  1-15

Abstract

 In French:Clore le vaste cycle romanesque des Rougon-Macquart par un roman qui se démarque par l’absence quasi-totale des images temporelles (ces dernières dans la conception durandienne du terme) et qui chante dans l’achèvement de l’amour idyllique, la naissance d’un fils “rédempteur”, peut nous frapper de stupeur au prime abord. Il nous semble cependant que la genèse de la figure du Fils avec laquelle le roman, et de facto, l’ensemble de la saga zolienne touche à sa fin, soit inductrice du triomphe de l’imaginaire zolien vis-à-vis de l’expérience temporelle issue de la fuite du temps.Nous nous pencherons tout au long de cet article sur la manière par laquelle le romancier _ tout en développant un système figuratif efficace _ procède pour vaincre les forces négatives de la temporalité. Nous cherchons à saisir dans quelle mesure l’émergence de certaines structures ou certaines figures archétypales est capable de rejeter l’angoisse existentielle de l’imaginaire zolien vis-à-vis de l’écoulement temporel et à mettre parallèlement en lumière les structurations figuratives qui assurent le retour équilibrant de l’imagination créatrice sur la gamme de la syntonie.   In English:Closing the vast novelistic universe of Rougon-Macquart by a novel which distinguishes from the other twenties by the absence of the temporal images (as they are defined in durandian acceptation of term) and singing in an optimistic atmosphere of idyllic love the birth of a son who is supposed to be the savior of the forthcoming century, may appear, considering the general canons designated by the Naturalism, at the first stage, quite astounding. However, we believe that the genesis of the figure of the “Son”, by which this novel and also the whole series of Rougon-Macquart come to the end, infers the triumph of Zola’s imagination in its ultimate encounter with the philosophical question of the leak of the time. We are supposed to figure out, throughout this paper, the extent and direction of the emergence of some archetypal figures may defeat the existential angst that the author’s imagination has met, while he was facing, particularly in previous novels, the terrifying experience of the time. We are also intended to show how the figurative structures of the diegesis may restore the equilibrium of the creative imagination and how they are able to tune up its final orientation in syntonic features.

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    APA: Copy

    HEJAZI, NOSRAT. (2016). IN FRENCH: TRIOMPHE DE LA SYNTONIE DANS LE DOCTEUR PASCAL D’EMILE ZOLA, UNE LECTURE FIGURATIVE (IN ENGLISH: THE TRIUMPH OF SYNTONY IN ZOLA’S LE DOCTOR PASCAL, A FIGURATIVE STUDY). REVUE DES ETUDES DE LA LANGUE FRANCAISE, 8(1 (14) ), 1-15. SID. https://sid.ir/paper/223209/en

    Vancouver: Copy

    HEJAZI NOSRAT. IN FRENCH: TRIOMPHE DE LA SYNTONIE DANS LE DOCTEUR PASCAL D’EMILE ZOLA, UNE LECTURE FIGURATIVE (IN ENGLISH: THE TRIUMPH OF SYNTONY IN ZOLA’S LE DOCTOR PASCAL, A FIGURATIVE STUDY). REVUE DES ETUDES DE LA LANGUE FRANCAISE[Internet]. 2016;8(1 (14) ):1-15. Available from: https://sid.ir/paper/223209/en

    IEEE: Copy

    NOSRAT HEJAZI, “IN FRENCH: TRIOMPHE DE LA SYNTONIE DANS LE DOCTEUR PASCAL D’EMILE ZOLA, UNE LECTURE FIGURATIVE (IN ENGLISH: THE TRIUMPH OF SYNTONY IN ZOLA’S LE DOCTOR PASCAL, A FIGURATIVE STUDY),” REVUE DES ETUDES DE LA LANGUE FRANCAISE, vol. 8, no. 1 (14) , pp. 1–15, 2016, [Online]. Available: https://sid.ir/paper/223209/en

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