IN FRENCH: ETUDE DES IMAGES DE LA TERRE DANS TROIS GOUTTES DE SANG DE SADEGH HEDAYAT D’APRÈS LA MÉTHODE D’ANALYSE DE BACHELARD (IN ENGLISH: ANALYSIS OF THE IMAGE OF SOIL IN SADEGH HEDAYAT’S THREE DROPS OF BLOOD USING BACHELARD’S MODEL OF CRITICISM)

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SOROUSH SARA; MAZARI NEGAR; KHAMENEH BAGHERI TAHEREH

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Journal: REVUE DES ETUDES DE LA LANGUE FRANCAISE Year:2016 | Volume:8 | Issue:1 (14) Page(s): 17-28

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Title

IN FRENCH: ETUDE DES IMAGES DE LA TERRE DANS TROIS GOUTTES DE SANG DE SADEGH HEDAYAT D’APRÈS LA MÉTHODE D’ANALYSE DE BACHELARD (IN ENGLISH: ANALYSIS OF THE IMAGE OF SOIL IN SADEGH HEDAYAT’S THREE DROPS OF BLOOD USING BACHELARD’S MODEL OF CRITICISM)

Author(s)

SOROUSH SARA | MAZARI NEGAR | KHAMENEH BAGHERI TAHEREH | Issue Writer Certificate

Keywords

IN FRENCH: HEDAYATQ2

BACHELARDQ2

RÊVERIEQ1

TERREQ2

DURETÉQ2

PÂTEQ2

MOLLESSE IN ENGLISH: SADEGH HEDAYATQ2

BACHELARDQ2

IMAGINATIONQ2

SOILQ2

HARDNESSQ2

DOUGHQ2

SOFTNESSQ2

Abstract

In French:Hedayat, dont l’oeuvre Trois gouttes de Sang est analysé dans cet article est l’un des principaux écrivains modernes iraniens mais en marge de la société. L’étude de nombreux exemples d’images TERREstres qui s’offrent à nous en abondance dans les RÊVERIEs des personnages de Hedayat, nous montre, comment le regard de l’auteur peut donner corps à des RÊVERIEs touchant l’intimité de la matière TERREstre. Le présent article propose donc l’étude de l’imagination de l’écrivain à travers les images matérialisées de l’imagination "terrestre" par l’étude des pulsions inconscientes, les forces oniriques qui s’épanchent sans cesse dans la vie consciente de l’auteur. Pour atteindre cet objectif, nous recourrons à la méthode d’analyse des images proposées par BACHELARD et à travers les images littéraires de la TERRE, nous cherchons à découvrir une action éminente de l’imagination de Hedayat. Nous étudierons les images montrant l’angoisse et la peur chez cet écrivain. Nous montrerons ainsi comment Hedayat essaie de maîtriser sa peur grâce à son IMAGINATION. In English:This paper focuses on the story of Three Drops of Blood by Sadegh Hedayat. Sadegh Hedayat, a writer in the periphery of his society, is recognized as one of the Iranian modern writers. The current research studies the images of SOIL in Three Drops of Blood by Sadegh Hedayat, which are frequently noticed in the IMAGINATIONs of the characters of the story. The paper discusses how the point of view of the writer leads to IMAGINATIONs resulting from this element and creates images which represent the internal feelings of the characters of the story. By analyzing the IMAGINATION of the writer through the created images and the IMAGINATIONs on the element of SOIL, the writer’s unconscious desires and IMAGINATIONs which frequently reveal in his conscious level are studied. To that end, BACHELARD’s (1960) model of criticism was used, and as such the literary images on the element of SOIL are instrumental in decoding Hedayat’s IMAGINATION. We analyzed the images in Three Drops of Blood emerged from the author’s anxiety and worry. We demonstrate that how author’s IMAGINATION has led to fantasize for overcoming worry and fear of death.

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APA: Copy

SOROUSH, SARA, MAZARI, NEGAR, & KHAMENEH BAGHERI, TAHEREH. (2016). IN FRENCH: ETUDE DES IMAGES DE LA TERRE DANS TROIS GOUTTES DE SANG DE SADEGH HEDAYAT D’APRES LA METHODE D’ANALYSE DE BACHELARD (IN ENGLISH: ANALYSIS OF THE IMAGE OF SOIL IN SADEGH HEDAYAT’S THREE DROPS OF BLOOD USING BACHELARD’S MODEL OF CRITICISM). REVUE DES ETUDES DE LA LANGUE FRANCAISE, 8(1 (14) ), 17-28. SID. https://sid.ir/paper/223210/en

Vancouver: Copy

SOROUSH SARA, MAZARI NEGAR, KHAMENEH BAGHERI TAHEREH. IN FRENCH: ETUDE DES IMAGES DE LA TERRE DANS TROIS GOUTTES DE SANG DE SADEGH HEDAYAT D’APRES LA METHODE D’ANALYSE DE BACHELARD (IN ENGLISH: ANALYSIS OF THE IMAGE OF SOIL IN SADEGH HEDAYAT’S THREE DROPS OF BLOOD USING BACHELARD’S MODEL OF CRITICISM). REVUE DES ETUDES DE LA LANGUE FRANCAISE[Internet]. 2016;8(1 (14) ):17-28. Available from: https://sid.ir/paper/223210/en

IEEE: Copy

SARA SOROUSH, NEGAR MAZARI, and TAHEREH KHAMENEH BAGHERI, “IN FRENCH: ETUDE DES IMAGES DE LA TERRE DANS TROIS GOUTTES DE SANG DE SADEGH HEDAYAT D’APRES LA METHODE D’ANALYSE DE BACHELARD (IN ENGLISH: ANALYSIS OF THE IMAGE OF SOIL IN SADEGH HEDAYAT’S THREE DROPS OF BLOOD USING BACHELARD’S MODEL OF CRITICISM),” REVUE DES ETUDES DE LA LANGUE FRANCAISE, vol. 8, no. 1 (14) , pp. 17–28, 2016, [Online]. Available: https://sid.ir/paper/223210/en

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