The Etymology of the Mention of “ Allah, Muhammad, Ali” in the Collection of Sheikh Safi Al-Din Ardebili

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HOSEINI SAJJAD; Barmaki Fateme

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Journal: PAZHOHESH-HA-YE BASTANSHENASI IRAN Year:2019 | Volume:8 | Issue:19 Page(s): 187-206

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Title

The Etymology of the Mention of “ Allah, Muhammad, Ali” in the Collection of Sheikh Safi Al-Din Ardebili

Author(s)

HOSEINI SAJJAD | Barmaki Fateme | Issue Writer Certificate

Keywords

Collection of Sheikh Safi Al-Din ArdebiliQ1

Sophie’s WordsQ1

QezelbashiQ1

AllahQ1

MuhammadQ1

AliQ1

Abstract

Sheikh Safi Al-Din Ardebili’ s collection is one of the most prominent masterpieces of Iranian-Islamic architecture. The foundation stone of this complex after the death of Sheikh Safi al-Din Ardebili in 735 AH / 1335 AD was placed by Sheikh Sadr al-Din Musa-his son and his successor in the Safavid leadership, and was completed in the following periods. This collection should be considered as a treasure trove of dozens of valuable Islamic inscriptions which have been presented in the form of various arts such as tiles, carvings, metal lattice, mosaic, lattice and fuel wood. The Islamic inscriptions can be classified into three groups of verses, hadiths, and allegations. The mention of “ Allah, Muhammad, Ali” is the most frequent one. But the question is, why is the reason for repeated use of this mention in the Collection of Sheikh Safi Al-Din Ardebili? Due to the origin and application of the abovementioned collection, the words, including the decree of “ Allah, Muhammad, Ali” , can be based on Sufi traditions. Especially since these words were mentioned throughout the period of the Safavid sheikhs and sultans and later on in the language of the disciples mostly Qizilbash, and still in Jutem Alawi-Bektashi Anatolia, Roman Ilya and the Balkans as the heroes of the Safavid Sufism and the last survivors Tahrath Qizilbash is used. Also, the mention of “ Allah, Muhammad, Ali” is evident in the inscriptions existing in many buildings and Sufi objects from the Mongol era to the contemporary period. This research seeks to rely on historical sources and historiography, archival documents, field observations, and archaeological studies in a descriptive-analytical way, while studying the reflection of the mention of “ Allah, Muhammad, Ali” as a Sophia’ s notion in architecture Sheikh Safi Al-Din Ardebili’ s collection examines the use of it in the past and present with the disciples of the Safavid tradition.

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APA: Copy

HOSEINI, SAJJAD, & Barmaki, Fateme. (2019). The Etymology of the Mention of “ Allah, Muhammad, Ali” in the Collection of Sheikh Safi Al-Din Ardebili. PAZHOHESH-HA-YE BASTANSHENASI IRAN, 8(19 ), 187-206. SID. https://sid.ir/paper/245085/en

Vancouver: Copy

HOSEINI SAJJAD, Barmaki Fateme. The Etymology of the Mention of “ Allah, Muhammad, Ali” in the Collection of Sheikh Safi Al-Din Ardebili. PAZHOHESH-HA-YE BASTANSHENASI IRAN[Internet]. 2019;8(19 ):187-206. Available from: https://sid.ir/paper/245085/en

IEEE: Copy

SAJJAD HOSEINI, and Fateme Barmaki, “The Etymology of the Mention of “ Allah, Muhammad, Ali” in the Collection of Sheikh Safi Al-Din Ardebili,” PAZHOHESH-HA-YE BASTANSHENASI IRAN, vol. 8, no. 19 , pp. 187–206, 2019, [Online]. Available: https://sid.ir/paper/245085/en

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