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Information Journal Paper

Title

REPRESENTATION OF THE UTOPIA MYTH IN CONTEMPORARY HOLLYWOOD CINEMA: SEMIOTICS OF "AVATAR", "ELYSIUM" AND "TOMORROWLAND" FILMS

Pages

  129-166

Abstract

 The main purpose of this study is to understand how the REPRESENTATION and construction of the myth of UTOPIA in HOLLYWOOD productions works. The method used in this research is semiotic method. In this study, among all films on the theme of UTOPIA in the new millennium, we were selected and analyzed three Effective films that each of them are a certain kind of UTOPIA. Each of these films, presented the same consistent meaning in a different context and visual elements in the guise of a certain kind of UTOPIA. For example, unity and rejection of individualism in the Avatar movie has been code in a syntagmatic Ratio with the tribe, nature and dominant spirit of nature. In that UTOPIA, Natural life is depicted with people's unity and responsibility and intimate relationships. depicted UTOPIA in the elysium film also refers to Karl Marx's UTOPIA and communist society. In this film, working-class revolution leading to the abolition of class conflict and the Uniformity of people for access to resources and the elimination of discrimination. as well as Tomorrow land is a manifestation of UTOPIAn film that Etienne cabet depicts that And represents the resorts that Disneyland is considered for people's entertainmente and attract them to HOLLYWOOD.

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    APA: Copy

    TAGHIABADI, MASOUD, & TAGHIABADI, HAMID. (2018). REPRESENTATION OF THE UTOPIA MYTH IN CONTEMPORARY HOLLYWOOD CINEMA: SEMIOTICS OF "AVATAR", "ELYSIUM" AND "TOMORROWLAND" FILMS. NEW MEDIA STUDIES, 3(12 ), 129-166. SID. https://sid.ir/paper/264683/en

    Vancouver: Copy

    TAGHIABADI MASOUD, TAGHIABADI HAMID. REPRESENTATION OF THE UTOPIA MYTH IN CONTEMPORARY HOLLYWOOD CINEMA: SEMIOTICS OF "AVATAR", "ELYSIUM" AND "TOMORROWLAND" FILMS. NEW MEDIA STUDIES[Internet]. 2018;3(12 ):129-166. Available from: https://sid.ir/paper/264683/en

    IEEE: Copy

    MASOUD TAGHIABADI, and HAMID TAGHIABADI, “REPRESENTATION OF THE UTOPIA MYTH IN CONTEMPORARY HOLLYWOOD CINEMA: SEMIOTICS OF "AVATAR", "ELYSIUM" AND "TOMORROWLAND" FILMS,” NEW MEDIA STUDIES, vol. 3, no. 12 , pp. 129–166, 2018, [Online]. Available: https://sid.ir/paper/264683/en

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