Amatory Look in Siavash and Soudabeh and Vamegh and Azra’ s Stories

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Yousefi Pour Pouran; Salari Shahab; GHASEMIAN FATEMEH

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Journal: OURMAZD JOURNAL Year:2019 | Volume:- | Issue:46 Page(s): 201-220

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Information Journal Paper

Title

Amatory Look in Siavash and Soudabeh and Vamegh and Azra’ s Stories

Author(s)

Yousefi Pour Pouran | Salari Shahab | GHASEMIAN FATEMEH | Issue Writer Certificate

Keywords

Love

Siavash and Soudabeh

Vamegh and Azra

Discourse

Epic

Von Dayek

Abstract

Love and avenge of the god-mother for the child is the theme of several amatory fictional pieces in Persian literature. Among them two literary works of Siavash and Soudabeh as well as Vamegh and Azra picturize different recitations of Love with the two themes. Soudabeh’ s Love for Siavash has a tragic aspect and the wandered Vamegh who was left away from the father’ s house by his god-mother after passing numerous hardships that he could not reach Azra led to obscurity of his destiny. What are the similarities and differences in symbols for Love and Epics in these two literary pieces, and what would they narrate? Research findings which have been gathered by descriptive approach and through library research and applying Teon Von Dayek’ s approach for critical Discourse analyses show that Love in a curtain for Discourse rivalries as well as inter-Discourse matters in these two literary works. However, the difference is that in the story of Siavash and Soudabeh, Love is a non-sacred concept and was applied as a means of betrayal for accomplishing personal desires which showed the rivalry between Iranian collective unconsciousness with Turanians and Hamavaran and the issue is hidden. However, in Vamegh and Azra literary work, Love is a sacred effort for breaking so-called moral paradigms which govern people’ s minds. In other words, in Siavash and Soudabeh’ ’ story, womanly inclinations which are not congruent with cultural beliefs, are being destroyed and it leads to the death of Lover and beLoved which enforces out of Discourse rivalries. However, Vamegh and Azra reflects a legitimate personal desire which has friction with absolute social constructions, and sometimes it defeats them to reach the Loved one. But the fortune obscures these two persons’ destiny in the original Greek story as well as the oldest version of it means Masnavi of Onsori.

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APA: Copy

Yousefi Pour, Pouran, Salari, Shahab, & GHASEMIAN, FATEMEH. (2019). Amatory Look in Siavash and Soudabeh and Vamegh and Azra’ s Stories. OURMAZD JOURNAL, -(46 ), 201-220. SID. https://sid.ir/paper/266708/en

Vancouver: Copy

Yousefi Pour Pouran, Salari Shahab, GHASEMIAN FATEMEH. Amatory Look in Siavash and Soudabeh and Vamegh and Azra’ s Stories. OURMAZD JOURNAL[Internet]. 2019;-(46 ):201-220. Available from: https://sid.ir/paper/266708/en

IEEE: Copy

Pouran Yousefi Pour, Shahab Salari, and FATEMEH GHASEMIAN, “Amatory Look in Siavash and Soudabeh and Vamegh and Azra’ s Stories,” OURMAZD JOURNAL, vol. -, no. 46 , pp. 201–220, 2019, [Online]. Available: https://sid.ir/paper/266708/en

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