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Information Journal Paper

Title

Cognitive Funds of Representation of Film in the Theory of Formalism and its Proportion with Mental Existence and Concrete Existence in Classic Philosophy

Pages

  235-258

Abstract

 The Formalism theory of the film mechanism is based on Kant's epistemological device. Since the object in itself cannot be inherently perceived in the Kant's conceptual system, and phenomenal aspects are also formulated in the a priori understanding categories, the realization of Representation in the cinema based on Formalism theory will be a serious challenge. The classical philosophers, especially the philosophers of Islam, in the discussion of the Concrete Existence-Mental Existence, believe that the mental form while the permanent habit of the self and the realization of knowledge for it, at the same time, possesses a conceptual prestige and a certain realization the known in the mind. Therefore, the mental form is a unity Complete of knowledge and known, and a complete Representation of objective reality. The claim to this article is that the theory of Realism, despite the charge of the mechanical reproduction of reality, gives rise to a greater degree of the nature of the Representation in the cinema, by analogy of the Mental Existence-Concrete Existence in the classical philosophy, and the Formalism theory by resorting to the system of transcendental perception Kant And the specificate of objective reality is merely the raw material of intuition, the claim of the realization of art through the Representation of the film will be farther away.

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    APA: Copy

    MOTAMEDI, AHMADREZA. (2019). Cognitive Funds of Representation of Film in the Theory of Formalism and its Proportion with Mental Existence and Concrete Existence in Classic Philosophy. KNOWLEDGE (JOURNAL OF HUMAN SCIENCES), 12(80/1 ), 235-258. SID. https://sid.ir/paper/386776/en

    Vancouver: Copy

    MOTAMEDI AHMADREZA. Cognitive Funds of Representation of Film in the Theory of Formalism and its Proportion with Mental Existence and Concrete Existence in Classic Philosophy. KNOWLEDGE (JOURNAL OF HUMAN SCIENCES)[Internet]. 2019;12(80/1 ):235-258. Available from: https://sid.ir/paper/386776/en

    IEEE: Copy

    AHMADREZA MOTAMEDI, “Cognitive Funds of Representation of Film in the Theory of Formalism and its Proportion with Mental Existence and Concrete Existence in Classic Philosophy,” KNOWLEDGE (JOURNAL OF HUMAN SCIENCES), vol. 12, no. 80/1 , pp. 235–258, 2019, [Online]. Available: https://sid.ir/paper/386776/en

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