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Information Journal Paper

Title

The Two Different Senses of "Principles" in Calligraphy and Disagreement about Its Components: The Persian Texts about Calligraphy From 13th Century to 21st Century Ad

Pages

  513-537

Abstract

 In the tradition of calligraphy education, which is still alive, the students learn the twelve theoretical components as a basis for the practice. These components are sometimes considered wrongly as principles. A survey on historical sources about caligraphy shows that the concept of the principles in the sense of "twelve components" is recent: the interpretation of the principles has been altered over the course of history. The concept of principles had a general sense and a specific sense, by the way even its components were variant. From the 10 century AD onwards, the general sense of principles got fixed as Ibn Muqla's geometric principles; and after the middle of the 14 century AD, the specific sense, i. e. the comprehensive set of other components of calligraphy, emerged. During this century, ʿ Abdallā h Ṣ ayrafī presented its eight calligraphy components, but in Tuḥ fat al-moḥ ibbī n, the other treatise on the subject, the components were six. Finally, in the 16th century AD, the twelve components were introduced in the Adab al-mashq by Bā bā shā h Isfahā nī .

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    APA: Copy

    Fadaei, Mohammad. (2021). The Two Different Senses of "Principles" in Calligraphy and Disagreement about Its Components: The Persian Texts about Calligraphy From 13th Century to 21st Century Ad. PAZHUHISHNAMEH TARIKH TAMADDON ISLAMI (MAQALAT WA BARRASIHA), 53(2 ), 513-537. SID. https://sid.ir/paper/387223/en

    Vancouver: Copy

    Fadaei Mohammad. The Two Different Senses of "Principles" in Calligraphy and Disagreement about Its Components: The Persian Texts about Calligraphy From 13th Century to 21st Century Ad. PAZHUHISHNAMEH TARIKH TAMADDON ISLAMI (MAQALAT WA BARRASIHA)[Internet]. 2021;53(2 ):513-537. Available from: https://sid.ir/paper/387223/en

    IEEE: Copy

    Mohammad Fadaei, “The Two Different Senses of "Principles" in Calligraphy and Disagreement about Its Components: The Persian Texts about Calligraphy From 13th Century to 21st Century Ad,” PAZHUHISHNAMEH TARIKH TAMADDON ISLAMI (MAQALAT WA BARRASIHA), vol. 53, no. 2 , pp. 513–537, 2021, [Online]. Available: https://sid.ir/paper/387223/en

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