The Aesthetics of Music and Composition in the Pieces “ Dashti” and “ Bayat-e Esfahan”

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Khalilifar Mostafa; TAJBAKHSH ESMAEEL; DOROODGARIAN FARHAD

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Paper Information

Journal: JOURNAL OF LITERARY CRITICISM AND RHETORIC Year:2019 | Volume:8 | Issue:2 Page(s): 79-98

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Title

The Aesthetics of Music and Composition in the Pieces “ Dashti” and “ Bayat-e Esfahan”

Author(s)

Khalilifar Mostafa | TAJBAKHSH ESMAEEL | DOROODGARIAN FARHAD | Issue Writer Certificate

Keywords

SongQ1

CompositionQ1

Aesthetics of textQ1

EloquenceQ1

SadnessQ1

Vocal musicQ1

Abstract

The article aims to answer the claim that Iranian Vocal music i. e., Iranian music connected to Persian poetry, is limited and sad. It employs aesthetic and pragmatic criticism to study several Songs and Compositions and proves that Iranian Vocal music is the same as Vocal music in other countries of the world, in that it can be sad or joyful and that it can be limited or expanded. Moreover, analyzing the samples, the article demonstrates that the Sadness or happiness of the lyrics and the singing and, likewise, the type of rhythm and meter affect the gloominess or joyfulness of sheet music. Furthermore, it indicates that this effect is not specific to Iranian Vocal music. Finally, even the most woeful pieces of Iranian music, for instance, “ Dashti” and “ Bayat-e Esfahan, ” despite their similarity to minor scale western music, are of exceptional capacity so that they can accompany epic Songs and the most joyful ballads.

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APA: Copy

Khalilifar, Mostafa, TAJBAKHSH, ESMAEEL, & DOROODGARIAN, FARHAD. (2019). The Aesthetics of Music and Composition in the Pieces “ Dashti” and “ Bayat-e Esfahan”. JOURNAL OF LITERARY CRITICISM AND RHETORIC, 8(2 ), 79-98. SID. https://sid.ir/paper/398481/en

Vancouver: Copy

Khalilifar Mostafa, TAJBAKHSH ESMAEEL, DOROODGARIAN FARHAD. The Aesthetics of Music and Composition in the Pieces “ Dashti” and “ Bayat-e Esfahan”. JOURNAL OF LITERARY CRITICISM AND RHETORIC[Internet]. 2019;8(2 ):79-98. Available from: https://sid.ir/paper/398481/en

IEEE: Copy

Mostafa Khalilifar, ESMAEEL TAJBAKHSH, and FARHAD DOROODGARIAN, “The Aesthetics of Music and Composition in the Pieces “ Dashti” and “ Bayat-e Esfahan”,” JOURNAL OF LITERARY CRITICISM AND RHETORIC, vol. 8, no. 2 , pp. 79–98, 2019, [Online]. Available: https://sid.ir/paper/398481/en

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