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Title

FRONT, CLOSE UP OF EMANICPATED MEN FROM EARTHI; PERCEPTION OF IBRAHIM HATAMI KIA S CINEMATIC NARRATION

Pages

  31-61

Abstract

 Wars are regarded as events of destructive identity as well as constructive -identity. The IMPOSED WAR between Iran and Iraq also had not been exceptional to this rule. On the other hand, identity is also product of self -identification by self and other and can transform to this identification or imaginary adaptation. In this framework, artistic images including cinematic pictures, options and instrument for representing and narrating events and concepts, are regarded as resources and components of constructive - identity and can contribute to self - exploration of societies. War s cinema genre in our society is mainly seeking to narrate and represent IMPOSED WAR as event of constructive - identity and attempt to tie it to our response to question of our identity. On this base, this article analyze CINEMATIC NARRATION of Ibrahim Hatamikia from IMPOSED WAR as mystical and spiritual narration and try to review institutions and tis time and contextual frameworks in a perception that is consistent with ISLAMIC REVOLUTION identity frameworks.      

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    APA: Copy

    POUR SAEID, F.. (2005). FRONT, CLOSE UP OF EMANICPATED MEN FROM EARTHI; PERCEPTION OF IBRAHIM HATAMI KIA S CINEMATIC NARRATION. NATIONAL STUDIES, 6(3 (23)), 31-61. SID. https://sid.ir/paper/542198/en

    Vancouver: Copy

    POUR SAEID F.. FRONT, CLOSE UP OF EMANICPATED MEN FROM EARTHI; PERCEPTION OF IBRAHIM HATAMI KIA S CINEMATIC NARRATION. NATIONAL STUDIES[Internet]. 2005;6(3 (23)):31-61. Available from: https://sid.ir/paper/542198/en

    IEEE: Copy

    F. POUR SAEID, “FRONT, CLOSE UP OF EMANICPATED MEN FROM EARTHI; PERCEPTION OF IBRAHIM HATAMI KIA S CINEMATIC NARRATION,” NATIONAL STUDIES, vol. 6, no. 3 (23), pp. 31–61, 2005, [Online]. Available: https://sid.ir/paper/542198/en

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    مرکز اطلاعات علمی SID
    strs
    دانشگاه امام حسین
    بنیاد ملی بازیهای رایانه ای
    کلید پژوه
    ایران سرچ
    ایران سرچ
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