ANALYSIS OF HAFEZ' SONNETS THROUGH NIETZSCHE'S AESTHETICS APPROACH

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BAGHERI KHALILI A.A.; GHOLAM HOSSEINZADEH GH.R.

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Journal: Literary Research Year:2008 | Volume:5 | Issue:19 Page(s): 9-26

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Title

ANALYSIS OF HAFEZ' SONNETS THROUGH NIETZSCHE'S AESTHETICS APPROACH

Author(s)

BAGHERI KHALILI A.A. | GHOLAM HOSSEINZADEH GH.R. | Issue Writer Certificate

Keywords

NIETZSCHEQ2

APOLLOQ3

HAFEZQ4

LOVEQ2

THE AESTHETICS THEORYQ2

Abstract

In phenomenology, the whole universe has an ontological process, while mankind enjoys supreme and elevated awareness and its ultimate result is the manifestation of phenomena towards each other, in addition to gaining a sensual and concrete recognition about each other. NIETZSCHE analyzed the mythological eras and the history of the ancient mankind, coming to this belief that the Greek ancient people held a sort of ontological recognition and realized its nature and process as it actually was, while their own life coordinated with that and found meaning through this issue. He believes that life is a tragedy and these Greeks made life tolerable by creating Gods, Goddess, and deities and attributing terrifying incidents to them, and seeking help from them. In this relation he integrated two elements; first Dionysus which as an element was attributed to Dionysus; God of disorder and chaos, dance and joy, wine and drunkenness. The other element was the APOLLOnius element which was attributed to APOLLO; the God of order and peace, rationality and culture, poetry, music and beauty. Therefore, NIETZSCHE suggests that the art of tragedy, as Ancient Greeks' first artistic creation, is the outcome of two contrasting APOLLOnius and Dionysus elements and bases his philosophy of art and aesthetics on them. This paper studies and analyzes HAFEZ' sonnets on the basis of this theory; through actually NIETZSCHE's approach in reading, while the attempt has been made to do this considering the Iranians artistic, cultural, religious and ritual demands and circumstances. The Dionysus element is present in some of HAFEZ' sonnets where he points to man's relation to the world, the chaos of the time, the unreliability and lack of safety in worldly affairs, and the APOLLOnius element is seen where HAFEZ discusses man's relation with God, seeking shelter in LOVE, mystics and trickery. The world's lack of validity and reliability calls HAFEZ to joy and the beloved's trust calls him toward mysticism. Therefore it creates moderation and regularity between that chaos (Dionysus; the world's unreliability) and this regularity (Apollonius; LOVE affair).

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APA: Copy

BAGHERI KHALILI, A.A., & GHOLAM HOSSEINZADEH, GH.R.. (2008). ANALYSIS OF HAFEZ' SONNETS THROUGH NIETZSCHE'S AESTHETICS APPROACH. LITERARY RESEARCH, 5(19), 9-26. SID. https://sid.ir/paper/54286/en

Vancouver: Copy

BAGHERI KHALILI A.A., GHOLAM HOSSEINZADEH GH.R.. ANALYSIS OF HAFEZ' SONNETS THROUGH NIETZSCHE'S AESTHETICS APPROACH. LITERARY RESEARCH[Internet]. 2008;5(19):9-26. Available from: https://sid.ir/paper/54286/en

IEEE: Copy

A.A. BAGHERI KHALILI, and GH.R. GHOLAM HOSSEINZADEH, “ANALYSIS OF HAFEZ' SONNETS THROUGH NIETZSCHE'S AESTHETICS APPROACH,” LITERARY RESEARCH, vol. 5, no. 19, pp. 9–26, 2008, [Online]. Available: https://sid.ir/paper/54286/en

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