SERIVILI; THE CAPTIVE OF TWOFOLD CONTRASTS (REVIEWING TWOFOLD CONTRASTS IN THE POEM OF

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MOHSENI MORTEZA; HAGHJOO SIAVASH; HAGHIGHI MARZIEH

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Journal Paper

Paper Information

Journal: Pazhuhish-i Zaban va Adabiyyat-i Farsi Year:2014 | Volume:- | Issue:31 Page(s): 131-161

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Title

SERIVILI; THE CAPTIVE OF TWOFOLD CONTRASTS (REVIEWING TWOFOLD CONTRASTS IN THE POEM OF "KHANEHY-E SERIVILI" (SERIVILI'S HOME) COMPOSED BY NIMA YUSHIJ)

Author(s)

MOHSENI MORTEZA | HAGHJOO SIAVASH | HAGHIGHI MARZIEH | Issue Writer Certificate

Keywords

NIMA YUSHIJQ2

SERIVILI'S HOMEQ2

CLAUDE LÉVI-STRAUSSQ2

STRUCTURALISMQ2

TWOFOLD CONTRASTSQ2

Abstract

Twofold contrast is the most important basis of STRUCTURALISM that its theorists had applied it in different areas like linguistics, narratology, philosophy, cultural studies, anthropology, and psychology. CLAUDE LÉVI-STRAUSS used TWOFOLD CONTRASTS to know general structure of human mind behind myths and different cultural actions and believed that these contrasts were the first human effort to understand his/her surrounding environment and the human existence were involved in these unavoidable twofolds. The study applied Lévi-Strauss thoughts in reading “Serivili's Home” of NIMA YUSHIJ. Serivili, the poet, is in contrast with an evil in this poem that is in opposition with all his thoughts. Oppositions like village/city, nature/culture, modernity/tradition, and in general consciousness and unconsciousness are depicted as oppositions between the poet and evil. Serivili is involved with tensions and oppositions that are resulted from conversation with evil and this continuous tension continues to the end of poem. Disobedient mind of Nima used TWOFOLD CONTRASTS to express his most important intellectual differences, contrasts, and oppositions with owners of political power whose thoughts come to one’s conscious mind with evil symbols.

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APA: Copy

MOHSENI, MORTEZA, HAGHJOO, SIAVASH, & HAGHIGHI, MARZIEH. (2014). SERIVILI; THE CAPTIVE OF TWOFOLD CONTRASTS (REVIEWING TWOFOLD CONTRASTS IN THE POEM OF "KHANEHY-E SERIVILI" (SERIVILI'S HOME) COMPOSED BY NIMA YUSHIJ). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, -(31), 131-161. SID. https://sid.ir/paper/56311/en

Vancouver: Copy

MOHSENI MORTEZA, HAGHJOO SIAVASH, HAGHIGHI MARZIEH. SERIVILI; THE CAPTIVE OF TWOFOLD CONTRASTS (REVIEWING TWOFOLD CONTRASTS IN THE POEM OF "KHANEHY-E SERIVILI" (SERIVILI'S HOME) COMPOSED BY NIMA YUSHIJ). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI[Internet]. 2014;-(31):131-161. Available from: https://sid.ir/paper/56311/en

IEEE: Copy

MORTEZA MOHSENI, SIAVASH HAGHJOO, and MARZIEH HAGHIGHI, “SERIVILI; THE CAPTIVE OF TWOFOLD CONTRASTS (REVIEWING TWOFOLD CONTRASTS IN THE POEM OF "KHANEHY-E SERIVILI" (SERIVILI'S HOME) COMPOSED BY NIMA YUSHIJ),” PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, vol. -, no. 31, pp. 131–161, 2014, [Online]. Available: https://sid.ir/paper/56311/en

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