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Cites:

1

Information Journal Paper

Title

A SEMIOLOGICAL ANALYSIS OF SOCIAL INSTITUTION IN RASOOL SADRE-AMELI'S FILMS

Pages

  102-126

Abstract

 Films reflect the societies which they spring from. In fact, films reflect collective psychological tendencies of a society. By representing socio-economic and political institutions, films reveal propensities and moralities of their time. The research’s From work on which this article is based, was conducted by using semiotic approach and, also the Kracauer/Duvignaud's views on the relationship between society and CINEMA. The findings show that SOCIAL INSTITUTIONS relating to socialization of youth are ill and inefficient. They can nat provide a suitable ground for the youth, and they are involved in such ill as hypocrisy and deception and finally they caused unpleasant behavior as abnormality and deviance in society.

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    APA: Copy

    SAFARI, FATEMEH. (2009). A SEMIOLOGICAL ANALYSIS OF SOCIAL INSTITUTION IN RASOOL SADRE-AMELI'S FILMS. IRANIAN JOURNAL OF SOCIOLOGY (ISA), 9(1-2), 102-126. SID. https://sid.ir/paper/67484/en

    Vancouver: Copy

    SAFARI FATEMEH. A SEMIOLOGICAL ANALYSIS OF SOCIAL INSTITUTION IN RASOOL SADRE-AMELI'S FILMS. IRANIAN JOURNAL OF SOCIOLOGY (ISA)[Internet]. 2009;9(1-2):102-126. Available from: https://sid.ir/paper/67484/en

    IEEE: Copy

    FATEMEH SAFARI, “A SEMIOLOGICAL ANALYSIS OF SOCIAL INSTITUTION IN RASOOL SADRE-AMELI'S FILMS,” IRANIAN JOURNAL OF SOCIOLOGY (ISA), vol. 9, no. 1-2, pp. 102–126, 2009, [Online]. Available: https://sid.ir/paper/67484/en

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