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Information Journal Paper

Title

The study of epic aspects in the dramatic art of illustrated storytelling “ Parda Khwani”

Pages

  199-220

Abstract

 Recitation is a kind of epic Storytelling using screens on which are displayed illustrated scenes drawn from epic, mythological, and religious stories. Putting together three elements of speech, picture, and performance made this art to be counted as the most influential and dramatic form of epic Storytelling in between the traditional Iranian arts. However despite possessing unique characteristics, by comparison to other Persian arts Recitation has not been studied thoroughly. This article is an attempt to deal with the Recitation origins of this dramatic art of Storytelling/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank">illustrated Storytelling and the manner of its performance, and also examine its epic aspects. The results obtained show that its hiStory and origin goes back to the period before Islam in particular to the time that Mani, the Persian painter prophet emerged. After Islam and in particular in Safavid era Recitation received ample attention and this art was developed since due to retaining epic aspects, it was assumed as a unifying art. Based on the researches, this epic aspect of this ancient art were drawn from Ferdowsi’ s Shahnameh narrative and religious epics, being the main source for naqqals’ narratives. The epic present in the narrative conveyed epic aspect to the other two chief components of the Recitation that is Painting and performance in such a way that one can name Recitation the epic art of illustrated Recitation.

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