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Information Journal Paper

Title

French title: L’ Univers Mythique et le Sujet Problé matique dans Le Poirier de Taraqqi (English title: Mythical Women and Problematic Narration in Pear Tree of Goli Taraqqi)

Pages

  205-220

Keywords

transgression (English key word:Femininity 
Trespass) 

Abstract

 French abstract: Les femmes ont toujours é crit, mais le XXe siè cle est celui de leur é panouissement dans ce domaine. Dans le processus de la cré ation litté raire, une femme é crivain, prends un itiné raire diffé rent d’ un homme. Donc, é tudier une é criture fé minine exige une prise en compte de l’ identité sexuelle de l’ auteur. En ré alité , l’ é criture d’ une femme s’ avè re comme une repré sentation particuliè re de l’ identité . En é tudiant la nouvelle de Le Poirier de Gô li Taraqqi, figure de la litté rature contemporaine iranienne, selon la mé thode Sociocritique de Zima, nous avons prouvé que l’ é crivain est à la recherche de son identité perdue, dé nié e et rejeté e par la socié té , en repré sentant une nouvelle image de la femme. Une image mythique qui donne au texte un niveau sé mantique particulier aboutissant à une structure narrative spé cifique. Dans ce cas, le sujet devient douteux au niveau de l’ action et de l’ é nonciation. Donc, le pré sent article cherche à dé montrer comment Le Poirier de Gô li Taraqqi en tant qu’ un texte fé minin, ré agit aux problè mes sociaux au niveau du langage et aide son auteur à atteindre son identité perdue. English abstract: i N the process of literary creation, women writers take a different path from men, so, in order to study a woman's writing, we must also consider the author's sexual identity. In fact, the writing of a woman illustrates a particular reflection of the identity of her. By studying the short story, Pear Tree, of Goli Taraqqi, one of the contemporary faces of Persian literature, based on the sociological theory of Pierre V. Zima, it is shown that the author is looking for her lost identity which has been denied by society. This search materializes by introducing a new character of women, a mythic image that brings a certain semantic domain to the text and leads to a different narrative structure. Therefore, it becomes a controversial subject in the field of action and speech. The present study demonstrates that Pear Tree book of Goli Taraqqi, which is considered as a female-written text, responds to social problems at the linguistic level and helps its writer recover her lost identity. For centuries, the written word, including literature, has been the only exclusive right of elite men. This causes the language to look like a masculine ideology. "Since the nineteenth century, language has become the site of many feminine claims and women used language for gaining equality between the two sexes". (Didier, 1981, p. 10) After that they could easily talk about themselves, crossing the forbidden places and finally knowing themselves. "Therefore, a relationship with language is an excuse to reject any written law. Women found a place for change in writing, where there is the possibility of a transformation of social and cultural structures"(Barthelmes, 2019: 341). Women reveal some part of their reality through writing. In fact, women's writing is considered as modeling of a reality that is experienced differently and which could oppose the dominant discourse held by men within the literary culture. But how much women's writing can reflect their place in society? Could woman’ s writing free itself from pre-established ideas about women? Do social factors play a key role in a female writer? How semantic and narrative issues of writing can demonstrate social problems? To answer these questions, we chose a sociocritical reading that examines the writing by considering the social and cultural elements that formed it. Elsewhere, one of Gô li Taraqqi's works, which the story Pear Tree is from that, contains stories about the writer's feeling of alienation and estrangement from others. Like Le Poirier who tells the story of an author who takes refuge in a garden to get away from others. In all of her works, Gô li Taraqqi has talked a lot about the suffering of women in the patriarchal society, trying to improve the social status of women. As a result, she spoke a lot about the society of her time. So we take into account social factors to study her news. The sociocritical perspective of Pierre V. Zima focuses on describing the manifestations of ideology inscribed in various textual phenomena. In fact, in order to grasp the genesis of a work and its aesthetic structure, it is not enough to confine oneself to the text itself, but one must also consider the facts that caused its appearance. Based on the sociocritical approach of Zima, this article has tried to understand how feminine demands have been demanded in Gara Taraqqi's Pear Tree because Zima insists on social claims that are revealed through language. As we have said, Zima's theory is composed of three stages: first, the study of the sociolinguistic situation of each writer's time, then the semantic analysis of the work in question and finally the narrative analysis of the writing. Using a detailed semantic analysis of Pear Tree, we revealed that Taraqqi destroys the pre-established definition of the feminine, created by the patriarchal society of his time. Specialist of mythology, due to the ideas and theories of Jung, Taraqqi benefits from myths in favor of the social status of a woman and her lost identity. She gave a new mythical figure of a woman in the patriarchal society. By treating the female image with a mythical gaze and giving a mythical dimension to female characters, Taraqqi hopes to return to a period of holiness and glory for women. As a result, a new feminine image dominates the semantic universe of Pear Tree, which can be studied as a "liberating scripture". By studying the narrative structure of the text, we have pointed out the relationship between the semantic basis of the text and its narrative path. The story stands out from the actantial scheme of Greimas, because it does not represent a homogeneous and united subject. We resort to Zima, by who in a semantic universe where pre-established definitions cease to be relevant, the foundation of subjectivity is shaken. So, the subject becomes dubious at the level of the action and at the level of the enunciation.

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    APA: Copy

    VESAL, Matin, & FAHANDEJSAADI, Rahim. (2019). French title: L’ Univers Mythique et le Sujet Problé matique dans Le Poirier de Taraqqi (English title: Mythical Women and Problematic Narration in Pear Tree of Goli Taraqqi). RECHERCHES EN LANGUE ET LITTERATURE FRANCAISES, 13(23 ), 205-220. SID. https://sid.ir/paper/960928/en

    Vancouver: Copy

    VESAL Matin, FAHANDEJSAADI Rahim. French title: L’ Univers Mythique et le Sujet Problé matique dans Le Poirier de Taraqqi (English title: Mythical Women and Problematic Narration in Pear Tree of Goli Taraqqi). RECHERCHES EN LANGUE ET LITTERATURE FRANCAISES[Internet]. 2019;13(23 ):205-220. Available from: https://sid.ir/paper/960928/en

    IEEE: Copy

    Matin VESAL, and Rahim FAHANDEJSAADI, “French title: L’ Univers Mythique et le Sujet Problé matique dans Le Poirier de Taraqqi (English title: Mythical Women and Problematic Narration in Pear Tree of Goli Taraqqi),” RECHERCHES EN LANGUE ET LITTERATURE FRANCAISES, vol. 13, no. 23 , pp. 205–220, 2019, [Online]. Available: https://sid.ir/paper/960928/en

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