What structuralist narratologists have in common is that, instead of analyzing the actants of a literary genre based on traditional rhetoric, they analyze a literary genre as a systematic structure whose actants have internal links together. The Plot or the sequence of events is the most significant element that both the first and the second generation of Narratologists have considered attentively. Although the first generation emphasizes on causative and effective sequence, the second generation, especially, Raymon Kenon, has also added the periodic sequence to that. The present study aimed at considering 300 Sufis’ revelations selected from 30 mystical prose from the 4th to the 7th Century. It was found that even though the combination of events had numerous superficial differences, they followed few similar patterns. The results also showed that, in addition to the causative or periodic relevance, the revelations had another kind of sequence whereby a unique moment of the mystic’s incoming is briefly narrated. These kinds of revelations are highly inspired by a type of French story which is called “Nouvelle - instant” revelation.

hariri and hamidis amqamat ,as two prose works in classical Arabic and Persian literature have special values for the critics. The study of "Plot" in these two literary works illustrates that hariri had prepared an attractive and independent sketch for each short story (amqamat) in advance each to be employed for a macrostructure. hamidis however failed to follow what hariri did in this respect. as a result his short stories are know to have failed in matching those of the hariri both in attraction and an organized sketch.

In order to study the effect of Plot-to-Plot irrigation method on soil chemical characteristics and rice yield, a randomized block experiment was conducted in the research farm of the Faculty of Agricultural Sciences of University of Guilan. This research was done in three repetitions and each repetition included six Plots which were named Plot by Plot in a vertical row from 1 to 6. The quality characteristics of the soil were evaluated at two depths of 0 to 15 and 15 to 30 cm, as well as grain yield. The results showed that the highest salinity (3.8 mmhos/cm), total soluble solids (2316.6 mg/l), nitrate (6.3 mg/l), sodium (407.5 mg/l), calcium (410.8 mg/L), and sodium absorption ratio (5.6 me/L) were observed at the depth of 0 to 15 cm in the sixth Plot. But, the highest grain yield with 9035.54 kg/ha was related to the fourth Plot. Despite the same agricultural operations in the Plots, the amounts of nutrients, soil soluble salts and grain yield were different in them, which could be due to the difference in the amount of nutrients in the Plots. Therefore, in order to prevent their amount from changing from one Plot to another, the necessary opportunity for the absorption of water nutrients and soil solution by the plant in the Plots should be created to affect the final yield. In general, due to the reduction of only 5.92 and 4.33 percent of paddy yield in the sixth Plot compared to the fourth and first Plots, respectively, it seems that due to the limited water resources in the north of the country, the use of Plot-to-Plot irrigation for planting Rice needs more and more detailed investigation in order to achieve the highest growth and yield in the region.

"Plot" is one of the main elements of stories and the most important assessment criteria of aestheticism in an anecdotal work. The holy Qur'an is full of narratives whose belletristic could be assessed on the basis of modern yardsticks. In this research, the Plot of Yousef's story has been studied and analyzed based on Larivey's theory.Among the specialized features of the Plot of the proposed story, one can point to aspects such as the exact management and the suitable selection of information, the creation of paradox and the gradual abeyance in the least voluminous text, congruence of actions and unity of incidences, and homogeneity in the narrative with respect to occurrences.

There are several examples of heuristic rules first proposed from empirical observation, which eventually earned physicochemical validity after the fundamental derivation of a posteriori. This may be the case of Sherwood’ s Plot – for which a sound rationalization from first principles, entailing enthalpy and mass balances, is provided here; it applies to (fine) chemicals undergoing concentration followed by purification at large, where such costs override the whole processing.

Narrative is the best method for report real in series of events. In the ready research the Plot of Tahmuroth story (from Shahname-Ferdosi) as a member of incorporator, was analysis by the view point of some structuralists. In this story, first the stable situation is in working. In the days of Tahmuroth king ship, the tranquility envelops all around the country. Afterwards the happen mishap and this primary situation changes to undesirable. Tahmuroth started to righteous and courtesy and since bureau saw the complete calm of people, ill temper persuaded them to in refusal of his precept and discharges him of majesty. After Tahmuroth known their plans, the war happened and the bureau failed. Afterwards after that the heroes get at to his target, stable situations create. This condition happens in this story one time. The target of election this subject is adaptation this theoris on this kind of literary (story) Tahmuroth story.

Plot is one of the chainlike and dynamic elements of story, drama and poetry. The elements of story are dynamic when they are part of the Plot. Among the different aspects of narration, Plot is one of the most important and also the most constant one.The purpose of the writer is to represent some simple rules by the help of which the reader could identify the Plot. For this purpose, language as a communicative medium is used, because language is the basis of the formation of story and its structures. In fact, it is the language which is seen everywhere in the story and linguistic discussions are applied to narration. Chomsky proved that complicated sentences or structures are derived from simple ones and this principle is also used in narration. It will also be shown how it is possible to go from the complicated structures of a text to its simple elements, i.e. only to the elements of the Plot.

Factorial and split-Plot designs are two statistical procedures used to conduct agricultural field experiments. Both designs are used frequently to quantify the main and interaction effects of two or more factors. However, split-Plot design is recommended for specific situations depending on major and minor goals of the study, characteristics of the factors, and precision of statistical testing mentioned in this note. In field experiments, when date of planting is one of the factors, split-Plot design should be used. The reasons are explained in detail in the note. Using a factorial instead of a split-Plot design when date of planting is a factor would result in data confounded with other external environmental variation and therefore the results obtained would not be statistically valid.

The current paper tries to review the definitions of Persian and foreign authors about the Plot, to study and analyze the story of the story of “Lion and cow”, in three narratives: Kalilah wa Dimnah, Bidpay tales and Anwar-i Suheyli. The general framework of three narratives explains the differences between the descriptions in these three books. The most important feature of the story in all three books is the expression of stories as an analogy to the correctness and validity of their speech in the language of different individuals. In the vast majority of these stories, the speaker expresses his resultation at the end of the story of by the following sentences: "I told this parable / I brought it...” We find in this intuition: in both the older narratives (Kalilah wa Dimnah, and Bīdpay) is followed the pattern of the turning point of the main characters of the story, which are respectively the main effecting (main subject) and the main effected (the central passive), but in the third narrative (Anwar-i Suheyli), the same as Bob's moral title, is also the title of narration, and this pattern is observed throughout the book and reflects the ethical view of the book and the intellectual arts of Anwar Soheyli's writer as a moral teacher.