JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)
Year:2010 | Volume:3 | Issue:3 (9)|Papers Count:9

This article intends to study the stylistic of Azraghi Heravy's Poetry, a second half of the fifth century Iranian poet. The research investigates the principles of stylistics. While refrainin fromgThe usual genralization ascribed to him. This study aragues that Azragi is a phrase maker and his phrases are more of additional and descriptive types. In his selection of meters, he has paid proper attention to melodic values and has avoided unpleasant meters. As for imagery, he has paid special attention to similes and metafhors and, particulary, fantastic and imaginary analogies not so common in his time. Moreovers; he has extravagantly made use of hyperbole.

Shah Nematollah Vali (1351-dec. 1448) is among the distinguished gnostics and poets of the 8th century and the earlier half of the 9th one anno hejra. He has a variety of compilations versified and prose, in Persian and Arabic, and from the standpoint of spiritual influence he is of an exalted status. At this poet's peri ode, the Persian language is on the decline, and the rulers adherent to poetry and letters, and culturophile figures are very scarce. Due to mishaps and unfavorable events of the times, people's morale is receptive to mystic doctrine. This poet has been diligent in composing lyrical poems, his lyrics are concerned with pantheism/monism and laden with religious, mystical and philosophical expressions. The language of his poetry is the simple and intimate language of araqi. antiquated Persian words and complex Arabic words are not found in his diwan. in this article the stylistic features of this poet are being discussed.

Hakim Saad al-Din Nizari Qhstany is the great narrator of the second half of the seventh century and early eight century who remained ... poetical works. His poems are simple and unpretentious in which poets presented contents accompanied by beautiful poetical images. The ability of image-creation is always a main feature for a poet. Therefore, this article concerns the evaluation of poetical images (simile, metaphor) in Nizari's poems. It has been referred to poetry and fancy (image) in this article. The frequency, topic (image-making elements), brevity, and prolixity in simile, metaphor used by Nizari in his odes, and also his aim in using these images have been examined. In final part of article, the propotion of image and topic has been discussed.

If we believe in the relation between mind and language, then we have to admit that language and its components are affected by the discourse that is formed in it. In sum, it can be claimed that any discourse creates a chain of meanings that are filled with different concepts and ideas. And because of this it can be said that a word used in a piece of discourse can have a meaningful contribution. The Ishmaelite had also their own form of discourse; so much so that the writings of such writers as Nasser Khosrow are seen as an example and a demonstration of the dominant discourse of this religious branch of Islam. The present paper attempts to apply a stylistic approach on Nasser Khosrow’s Zad-ol-mosaferin as one of the best works produced in this period.

The most prominent characteristics in Akhavan's poem include mythical tone, fort language narrative expression and mythological metaphors (mainly combined with classic poem). His poetical style id also very similar to Khurasani Style specially Firdowsi's mythical style in shahnameh, so that he is known as the originator of new khurasani style in new poem arena. In different levels of language, literature, thought, mythical stories and narration technologies he is deeply influenced by Shahnameh.

In this paper, firstly, there is an illustration of style and expert’s opinions regarding Mirzadeh’s poems and then relying on his illustration, his poetry has been analyzed structurally and grammatically. in the field of grammar, entrance of French words to Mirzadeh’s poem, and temporal (chronological) rule-reduction which are related to ancient, abandoned and dead words and structures have been considered; and also stylistic norm aversion that is related to index (base) language and use of spoken language’s words and structures, are described; and Mirzadeh and his tendency’s to erotic words has been investigated. innovations in the field of syntax, innovations, application of validity terms, using of colloquial combinations, companionship of old and new structures, weak composition and lethargic compilation by him have been discussed; and as a whole, it has been whole, it has been showd that intense volatility in the language of Mirzadeh from attention to old and the new, rule-reduction and rul-addition, stylistic and …indicates that in the field of language, Mirzadeh is in the Process of try and error.

Body descriptions in Shahnamah are not limited to aesthetic aspects. But are used as a style to show pschyclogical situations of stories' heros and what is known as characterization. In this regard, Ferdowsi is considered to present a personal style, as Persian poetry in the Korasani style is objective and free from subjective stance. In this paper the body descriptions are studied from a new viewpoint based on non-verbal communications or body language.

Roudaki is known as the father of Persian poem and one of the beginner of the Persian poets that leave of him beautiful and jovial poems. Because his selection poems is studding in university, hitherto has presented various interpretation about his poem and in each one sough decline ambiguity of his poems, but yet some of his poems have ambiguity. In this essay one of the known jeremiads is studies and the qualification of registration and meaning of the last poem of this jeremiad in present bureaus and interpretations is analyzed. At last deduction that according by Stylistics' principles and textual criticism traits, the present registration of the last couplate of this jeremiad is uncorrected, and subsequence of this jeremiad is disheveled. Then correct registration and rational subsequence of these couplates of this jeremiad are presented.

A literary work from different directions can review and evaluate contract stylistics. If we believe that in any literary work of important three levels of linguistic stylistics, literary and intellectual is worthy. Undoubtedly in the works of mystics regard to the intellectual level of any of the other two levels are preferred. sufi mystics and poets because, means are oriented to the phenomenon appears less pay. Moulana Jalalodin Balkhi, sufi poets came over Persian language and literature is. his thoughts and ideas with time not only obsolete but the people of the world more than ever the importance they know. however the question is whether Masnavi Moulana sonnets and reason and justification for review his quatrains there? the research on that theme in Moulana's quatrains intellectual search to realize that although his quatrains in generalities and themes with sonnets common Masnavi but has advantages such as: short and brevity, simplicity, sincerity and ... that make them distinct from other makes of Moulana. he holds quatrains Premier thoughts and ideas that are proven in terms of Entertainment and entertainment has been written. It should be mentioned in terms of stylistics quatrains of Moulana and present their remarkable research works had been undertaken.